It’s been nine years since Ben Affleck’s original portrayal of Christian Wolff in The Accountant, who’s not only an accountant but also a super-efficient assassin working for the highest bidders. In this follow-up, again directed by Gavin O’Connor and written by Bill Dubuque, Affleck barely seems to have aged, and he's still solitary, anti-social and probably autistic.

Judging by a Sunday Times interview last weekend, Daniel Craig now enjoys wearing brilliantly-coloured sweaters and extraordinary trousers, very much like a man running as fast as possible in the opposite direction to James Bond. He has goodbye-Bond-esque quotes to go with it.

Islands off the coast of southern Chile, to the Spanish and German settlers of the 19th century, represented the edge of the world. To the Huilliche, the people who’ve lived there for centuries, the land and its isolation are only the beginning.

From its opening shot – of a flock of sheep backlit by the sun’s rays – The Settlers is visually stunning. But the beauty ends there; as the narrative unfolds, it becomes clear that everything else about this episode in Chile’s history is cruel and ugly.

Felipe Gálvez Haberle’s Chilean Western The Settlers traces the roles played in the genocide of the country’s indigenous Selk’nam people by the Spanish businessman José Menéndez (1846-1918) and his brutal Scottish sheep station manager Alexander McLennan (1871-1917).

“I believe Ayahuasca is something very deep,” says spiritual leader José López Sánchez in the documentary Antidote. “It’s not like selling palm oil or rubber. How many gringos have been healed with Ayahuasca? How many have discovered things about themselves and made positive changes? We should create an alliance with the Westerners; it would be a new path.”

Francisca Alegría’s debut is an eco-fable about mourning and enduring love, for a mother and Mother Earth. We start by Chile’s River Cruces, where a mill pumps poison, and the fish hear a death-song in the previously “sweet and clear” water. Magdalena (Mia Maestro), who drowned herself here decades ago, breaks the surface, gasping and suddenly alive, and walks back into the world.

Perfect timing for the release of Lucas Santtana’s new album release. The return of Lula to the presidency of Brazil has been received with a surge of optimism and joy. We have witnessed the end of Bolsonaro’s corrupt, opportunistic and authoritarian years, in which the Amazon forest was opened up further to those who would destroy it, along with the indigenous people who struggle to survive against the depredations of greed.

"Descarga Royal" by Los Royal’s de Pucallpa opens proceedings. After flurries of wobbly wah-wah guitar, a driving percussion bed interweaves with a rolling guitar figure. Then, about two minutes in, the guitarist steps on the fuzz pedal. Groovy. Psychedelic too. The band’s name is taken from the tropical east-Perú city of Pucallpa, located on the Amazon tributary river Ucayali.

Utama won the World Dramatic Prize at Sundance this year and is tipped for an Oscar nomination, too. The film is set in a remote region in Bolivia’s arid highlands. Its gentle pace and non-professional actors give it a documentary feel but there is real narrative skill deployed.