System Crasher review – a compelling portrait of childhood violence and pain

★★★★ SYSTEM CRASHER Compelling portrait of childhood violence and pain

Nora Fingscheid’s social realist drama about a troubled 9-year-old is as tough as it is tender

Benni, the central character in German writer-director Nora Fingscheidt's haunting new film, has a life of tragedy and violence. She’s the product of a dysfunctional family and an abusive childhood that has left her rage-ridden and incapable of controlling her anger. 

Aimard, Gürzenich-Orchester Köln, Roth, RFH review - Beethoven as avant-gardist

★★★★ AIMARD, GÜRZENICH-ORCHESTER KÖLN, ROTH, RFH Beethoven as avant-gardist

Only connect: works up to two centuries apart meet and argue in vital programming

In Beethoven anniversary year, there are three ways to enhance our ongoing concert dialogues with the composer beyond the bog-standard overture-concerto-symphony format: complete cycles of the quartets, symphonies and sonatas, preferably without old vulgarians presenting; focusing on Beethoven and his contemporaries, including programmes recreated from the early 1800s; and linking the genius with what our own contemporaries have to say about him.

Classical CDs Weekly: Brahms, Magnard, Skempton

CLASSICAL CDS WEEKLY Brahms, Magnard, Skempton

A great German conductor's vintage years, plus neglected French symphonies and British vocal music

 

Brahms MasurBrahms: The Orchestral Music Gewandhausorchester Leipzig/Kurt Masur (Decca Eloquence)

Belsen: Our Story, BBC Two review - inside the unfathomable horror of the Holocaust

★★★★ BELSEN - OUR STORY, BBC TWO Inside the unfathomable horror of the Holocaust

Eyewitnesses retrace their journey through the Nazi nightmare

The 75th anniversary of the liberation of Auschwitz reminds us once again of the unfathomable horror of the Holocaust. The revival of anti-semitism in our own country and elsewhere is why it’s worth telling these terrible stories again and again.

Clemens Meyer: Dark Satellites review - eccentric orbits

★★★★ CLEMENS MEYER: DARK SATELLITES Eccentric orbits in modern Germany

Overlooked stories from the fringes of contemporary Germany

In Clemens Meyer’s new collection of short stories Dark Satellites (translated from German by Kate Derbyshire), the lonely frequently enter into each other’s orbit. Their loneliness is intensified by every rotation they make of one another. These are people at the very margins of society. It is here where the author plies his trade.

DVD: The Cakemaker

★★★★ DVD: THE CAKEMAKER  Israeli debut is a sensitive study of grief - and the joy of culinary creation

Israeli debut is a sensitive study of grief - and the joy of culinary creation

The Cakemaker is Ofir Raul Graizer’s debut feature, and the film must somehow reflect the parabola of the Israeli-born director's life: it’s set between Berlin and Jerusalem, the two cities apparently closest to him, and one of its main subjects – alongside weightier themes such as grief and loss – is food, especially the r

Ibragimova, LSO, Stutzmann, Barbican review – grace and gravity

★★★★ IBRAGIMOVA, LSO, STUTZMANN, BARBICAN Grace and gravity

Memorable Mendelssohn, bookended by hearty but classy Brahms and Wagner

Alina Ibragimova’s solo journey (in 2015) through the peaks and abysses of Bach’s Sonatas and Partitas gave me vivid Proms memories to treasure for a lifetime. The Russian-born violinist’s Bach abounds in both majesty and tenderness, as well as a consuming fire of intensity when the music so demands. She brought something of the same quality to her performance last night of Mendelssohn’s E minor concerto at the Barbican.

8 Days, Sky Atlantic review - could armageddon really be this boring?

If you had eight days to live, you probably wouldn't spend them watching this

Beware the asteroid Horus! It’s 60km wide and it’s hurtling towards Earth at incalculable speed. Scientists say, with unfeasible precision, that the impact point will be La Rochelle in France, and it’s going to destroy all of western Europe.

Blu-ray: The Golem

1920 film featuring the Jewish folktale monster delivers an ambiguous message

A lumbering, barrel-chested hulk with a weirdly Ancient Egyptian wedge of hair, the eponymous clay monster of Paul Wegener and Carl Boese’s The Golem: How He Came Into the World compensates for his limited intelligence with brute strength and a dogged determination to see every task through, whether he’s doing the shopping for his household or supporting a collapsing palace by its beams.