Man’s strange relationship with other species haunts this freaky simian horror film from Psycho II director Richard Franklin.

The debut album by Australian-Ghanaian artist Genesis Owusu is so musically restless it’s exhilarating. What’s clear is this guy doesn’t want to be placed in a box, marked hip hop or anything else. Over a wild variety of music, he adopts multiple vocal styles, reminding of beatbox genius Reggie Watts (most especially his recent Wajatta project with John Tejada).

Kiwi and Aussie screen legends Sam Neill and Michael Caton have teamed up in this heartfelt and humorous remake of Grímur Hákonarson’s 2015 Icelandic original. The template of Hákonarson’s story has been transplanted but all the details and fillings have changed. Director Jeremy Sims pitches us in Australian sheep country, a sunny and laconic world where life flows at a pretty breezy pace.

Two genuinely lovely performances elevate an often-simplistic tale in Penguin Bloom, based on a 2016 memoir of the same name.

Relic's deliberate drabness hits home first; set in Victoria, Natalie Erika James’s modern horror shows us a grey contemporary Australia, a place bleached of all colour.

After a 16-year wait for the second album from Australian sample-stitchers The Avalanches, their third, a mere four years later, feels like a rush release by comparison. We Will Always Love You has been preceded by no fewer than four singles which, while welcome, are in danger of distorting the overall picture slightly.

We’re eight months into a global pandemic, and Kylie Minogue is serenading us from her kitchen. “We’re a million miles apart in a thousand ways,” she sings, feather-light vocals floating over a driving disco beat. “Can we all be as one again?”

The bleak power of the Australian horror movie Relic, Natalie Erika James’s feature debut, derives from its masterful use of a simple metaphor.

It’s always a timeslip moment, revisiting films first seen in your teens, but never more so than when watching this beautifully restored print of Walkabout. Nicolas Roeg filmed and directed this fever dream of a movie in 1970, after co-directing Performance with Donald Cammell.

Babyteeth gets off to a terrific start. A semi-naked, manic Moses (Toby Wallace, full of scabby charisma) almost pushes 15-year-old Milla (Eliza Scanlen; Sharp Objects, Little Women) on to the Sydney train tracks as she waits on the platform in her school uniform, carrying her violin. It’s a thunderclap: she’s smitten.