The battle of Long Tan in Vietnam isn’t well known to the casual observer, but it has entered the military folklore of Australia and New Zealand.
It was in March 2018 that Australia’s cricketers were caught ball-tampering during a Test match in Cape Town. The resulting public outcry and sanctions against the guilty players and assorted backroom staff shook the Australian game to the core. There was a sense that the team had developed a bullying, arrogant attitude, and this was their well-deserved come-uppance.
"All true spiritual art has always been RADICAL art": thus spake the oracular Georges Lentz, composer of the pitch-black odyssey for electric guitar that took everyone by surprise last night. In that vein, why not add that all the greatest performers always push the boundaries, and that 28-year-old Sean Shibe, though included by the sponsors of this concert among "emerging talent", is already in their select company.
“Nothing you’re about to see is true,” this adaptation of Peter Carey’s novel about Australia’s iron-clad Victorian outlaw Ned Kelly declares. Justin Kurzel’s wild investigation of the Kelly myth, Australian manhood and nationhood carves out its own truths anyway.
Appearing on NPR Music’s legendary Tiny Desk Concert series back in autumn, Taylor Swift talked about how, in interviews over the years, she’d been asked a thousand variations on “what would you write about if you ever get happy?” “Would I not be able to do my favourite thing in the world anymore?” she mused. “I love breakup songs!” Happily for Swift – and for the rest of us who love breakup songs – falling in love didn’t affect her ability to craft heartbreak poetry.
Writer-director Jennifer Kent knows that Australia’s colonial past shouldn’t be beautified, and she drives that fact home in every gloom-drenched shot of The Nightingale (her second feature after The Babadook from 2014). This is an immensely ambitious film and an unrelenting long haul of suffering that confronts themes of sexual violence and Indigenous dispossession.
Despite their name, U-Bahn are from Melbourne. Instead of looking to Germany for their musical inspiration, their minds are on a vintage band from Ohio. “Beta Boyz”, the first track on their eponymous debut album, reassembles the key elements of Devo’s version of “(I Can’t Get no) Satisfaction”. The chicka-chicka tick-tock guitar is present. So too are the throat-swallowing Mark Mothersbaugh vocals, the rotating tin-can drums and primitive synth.
Is there anything Tim Minchin cannot do? He sings his own songs, plays hot bar-room piano and tells jokes about the existence of God. He composes musicals, performs in Lloyd Webber and Stoppard, writes a multimillion-dollar Hollywood cartoon which he is allowed to direct – until he isn’t.
Lucy Lawless achieved cult status in the Nineties fantasy classic Xena: Warrior Princess, and later became a regular in such disparate creations as Battlestar Galactica and Parks and Recreation. In My Life is Murder, she joins the ever-expanding ranks of TV ‘tecs as Melbourne-based investigator Alexa Crowe.
Neil Armfield’s resonant, turbulent production of Kate Grenville’s classic Australian novel The Secret River sing out from the stage of the Olivier like an epic, with its conflicts, culture clashes, and quest for new territories.