The Smyrna Catastrophe of 1922, in which tens of thousands of Greeks and Armenians were slaughtered by Turkish soldiers, is a topical subject for our dark times. Unfortunately the intervening century hasn’t put an end to ethnic cleansing or to the plight of refugees.
This is the show that launched a thousand puns, mostly ancient-Greek-oriented, and just as many corny rhymes, all delivered with high energy and greeted with joyful groans. To say it’s no epic is a compliment: Charles Court Opera’s boutique pantos rely upon perfect focus in small spaces, and this is a tight little craft, with five brilliant women firing up director/writer John Savournin’s script and David Eaton’s musical arrangements.
Molly Manning Walker surprised herself by winning the Un Certain Regard section at Cannes this year with her rites-of-passage feature, How to Have Sex. Why the surprise? It’s a compelling debut.
Cotswold Line railway stations currently sport posters for Alex James’s “Big Feastival”, in which the ex-Blur bassist hosts a food-and-music jamboree on his cheese-making farm. Just up the road at Longborough Festival Opera, the crowd gathered on stage for the nuptials of Orfeo and Euridice would fit snugly in chez James as well.
Can lightning strike twice? Very much so, when it comes to Shirley Valentine, Willy Russell's much-revived solo play which I saw back in the day with its London and Broadway originator, Pauline Collins, who went on to receive a 1990 Oscar nomination for the film. Now along comes Sheridan Smith, who is very nearly the same age as the unhappy Liverpudlian housewife and mother who, age 42, reluctantly travels to Greece and into a new life.
Rian Johnson’s Knives Out sequel is an even more brightly entertaining puzzle picture, revelling in the old-fashioned glamour of enviably sunny climes and another rogues’ gallery of piquantly deployed film stars. Self-styled world’s greatest detective Benoit Blanc (Daniel Craig) is again on hand to pick up the inevitably murderous pieces.
It takes some confidence for a first-time feature director to interrupt her essentially realistic first feature with a splash of psychedelic abstraction, but Jacqueline Lentzou doesn’t lack for visual or aural daring.
Following the much-maligned Venom (2018) and Venom: Let There Be Carnage (2021), the third film in Sony’s Spider-Man Universe stars Jared Leto as Nobel Prize-winning scientist Dr Michael Morbius. Suffering from a rare blood condition that threatens to take his life, Morbius self-enrols in an experimental cure, combining his DNA with that of a vampire bat and so destining himself for a future as a living vampire.
Philoctetes, Odysseus, Neoptolemus: the men’s names in Sophocles’ Philoctetes are all unnecessarily long and weighed down by expectations.
Wherever we might live, the contagious energy and urgency of rock reflect the mood of our times: it’s hardly surprising that musicians from all over our super-connected world should re-invent their traditions in a way that absorbs rock’s decibels and immediacy. Balothizer are one of the latest bands that use their roots as a launching pad for something that combines psych, punk and metal music.