On the 30^th floor of a Tokyo apartment building, a charming little boy brushes his teeth, watched over by his smiling mother who sings to him gently. He’s full of joy - today his dad’s coming with them on the walk to nursery school. The little family of three walk out together. All seems well – too well - in their comfortable, quiet world.

Fifty Sounds is translator Polly Barton’s first novel, conceived as part of Fitzcarraldo’s annual essay prize.

February 2020: an item a long way down the agenda of the nightly news caused me to remark, fairly casually, “I wonder if that will affect me”. I had already heard about Covid-19, the new virus emerging from China; now it was spreading into places where I earned my living. I was beginning to worry.

Yasujirō Ozu’s The Flavour of Green Tea Over Rice and Tokyo Story were released in 1952 and 1953 respectively. Tokyo Story regularly features in critics' Top 10 lists and was voted Best Film of all time in a 2012 poll of film directors in Sight & Sound magazine.

Werner Herzog’s appearance in The Mandalorian paid for this deadpan, documentary-like slice of extreme Japanese life, suggesting how the director’s amusingly doomy Teutonic persona now dominates his own cinema.

Keiichiro Hirano’s A Man has all the trappings of a gripping detective story: a bereaved wife, a dead man whose name belongs to someone else, mysterious coded letters, a lawyer intent on uncovering the truth.

There is a memorable scene in Toshio Matsumoto’s Funeral Parade of Roses (1969), in which a group of stoned hippies and cross-dressers force each other, one-by-one, to walk the length of a line of tape that runs along the floor. Those who await their turn are seen crouched below, their flailing arms beckoning the walker down from their imagined tightrope. When they fall, as they inevitably and willingly do, they are punished – with the forced removal of their clothes.

Bach: St Matthew Passion The Choir of King’s College Cambridge, Academy of Ancient Music/Sir Stephen Cleobury (King’s College Cambridge)
Bach Collegium Japan/Masaaki Suzuki (BIS)

It may offer veteran French star Catherine Deneuve as substantial and engaging a role as she has enjoyed in years, but the real surprise of The Truth is that it’s the work of Japan’s Hirokazu Kore-eda.

Eyes watering, heart thumping, hands clenched: no, not The Thing, but a spontaneous reaction to the opening of Bach's St John Passion in the urgent hands of Masaaki Suzuki. How his Bach Collegium oboes seared with their semitonal clashes while bass lines throbbed with pain, before the chorus added a different, supernatural turn of the screw.