Sometimes a film has you swooning from the very first frame, and Polish director Pawel Pawlikowski's fifth narrative feature is one such film. The story of a nun's self-discovery is captured in delicate monochrome by cinematographers Ryszard Lenczewski (Margaret) and Lukasz Zal, who render the often austere surroundings with great, gob-stopping imagination in a film whose beauty is enough to make you bow down and praise Jesus, whatever your religious proclivities.

Andrzej Wajda’s Man of Marble may well be the film that foretold the end of Communism in Poland. Its script gestation period lasted almost 14 years, starting from 1962, and though its official release in 1977 was kept to a minimal level by the authorities, even in that form it’s believed that almost a fifth of the nation’s population saw the work.

Gay cinema in Poland is emerging slowly, for understandable reasons, which makes Malgoska Szumowska’s accomplished, if somewhat traditional drama In the Name of something of a ground-breaker. Not least because its story is centred around the country’s most established institution, the Catholic church, putting the subject of homosexuality squarely into the national debate. Interestingly, and encouragingly, the film topped local box office results for its opening weekend last autumn.

Ground-breaking though it is as one of the first gay films to come out of Poland, Tomasz Wasilewski’s Floating Skyscrapers brings home how happy endings on such subjects are hardly to be hoped for in the conservative, Catholic country. Wasilewski’s second feature has real visual style though, with laconic imagery and accomplished performances. It has garnered plentiful festival acclaim already, and opens in the UK in December.

Day 1

During the Soviet era, Katowice was the industrial hub of Upper Silesia, a poisoned region of multiple coalmines and rivers running yellow with chemicals. It now prides itself on 20 years of ecological clean-up and being one of the less polluted cities in Poland. This weekend it will be one of the noisiest. Doof! Doof! Doof! It’s techno time for myself and accomplice Finetime. With beer at 60p a bottle and the best vodka in the world on hand, we’re prepped and ready.

The city of Katowice in Upper Silesia, Poland, was once an epic industrial hub on the western edge of the Soviet bloc. It was a gigantic centre for coal and steel that was awesome in scale. Those days are long gone yet it seems fitting that one of the city’s now disused coal mines plays host, from August 22-25, 2013, to Tauron Nowa Muzyka, a leading European festival of electronic music.

The Ghetto Heroes Square in the Muranow district of Warsaw is a bleak place surrounded by drab apartment blocks. But at its centre there’s now a new building that attracted over 15,000 visitors in the first two days of its opening on 20 and 21 April, the 70th anniversary of the Warsaw Ghetto Uprising of 1943. It’s particularly remarkable as the building doesn’t yet have any exhibits on show.

Marie Curie must rank right up there among the world’s achievers of greatness. She certainly wasn’t one of those who had it “thrust upon ’em”. In fact, fate stacked the odds against her achieving the eminence she did in just about every way possible.

Over the last few years the Poles have been pumping money into the arts, partly as a way of branding the country (it works according to their research – many of us are now as likely to think of jazz musicians as plumbers when we think of the country).There was Polska! Year in 2009/10 – with hundreds of artistic events, setting up international orchestras and, on now, the increasingly adventurous and influential Kinoteka, the Polish Film Festival which runs until the end of the week.