It's a bit late for a straight review, I know, as this Glyndebourne Festival Opera revival of one of the most ingenious and (hopefully) enduring productions the company has seen in recent years opened three weeks ago. I was down there yesterday giving a pre-performance talk, buoyed in the knowledge that Dvořák's heart-piercing tale of a water nymph betrayed in her quest for a human soul would once again have the benefit of director Melly Still's special vision. But could this year's soprano singing Rusalka and her tenor Prince live up to the white heat generated by their predecessors two years ago?

With theartsdesk readers still reeling from the demise of Italianate sleuthing series Zen, now comes news of the axing of glossy MI5 drama Spooks. The BBC has announced that the show's 10th series, starting next month, will be its last, though it seems the decision to pull the plug was taken by production company Kudos rather than by the Corporation.

The round and the curtain are two of theatre’s oldest pieces of stagecraft.

With ReAnimate, the National Portrait Gallery’s Late Shift team were aiming high. The event sought to bring a free sensory experience throughout the entire building, promising to enchant the hordes away from Trafalgar Square and into a visionary evening of stimulation – not just of sight and sound, but also taste and smell.

Little Rock, the state capital of Arkansas, usually comes to mind in association with hometown boy Bill Clinton. Soul and funk fans, however, aren’t fussed with the sax-playing former governor and president and fixate on the city’s True Soul label, the home of a raft of rare and sought-after sides. Two volumes compiling the imprint have just been issued and include previously unissued tracks. The harmony-driven soul, Southern grooves and tight funk make a case for True Soul being an essential component of soul USA.

Held each year at the Earls Court Exhibition Centre, the Great British Beer Festival is the top-drawer event in any British beer enthusiast's diary. Organised by CAMRA (The Campaign for Real Ale), it’s a mind-boggling, discombobulating overload of more beer than it’s possible to imagine. Every non-corporate brewer is here, from the heard of (Fullers, Thwaites) to the local and barely heard of. Beer is central, but there’s food and games too. People are here too. Masses of them. And they’re all happy, friendly and full of good vibes. This event has a great atmosphere.

The phenomenal Eduardo de Filippo has no parallel in British theatre. Cross Olivier with Ayckbourn and you get a national institution who acted in and directed his own plays in his own theatre. Born in 1900, it seems odd that he had to wait until 1977 for his first honorary doctorate, odder that the award came not from his native Naples but from the University of Birmingham.

Anniversaries at the National Portrait Gallery are handy hooks for small specialist displays, and a trio has just opened.

After two Proms devoted to Doctor Who, this year's children's Prom ceded the floor today to the hugely popular CBBC television series Horrible Histories. The series is based, in case you don't know your Horrible Histories history, on the books initially written by Terry Deary.

We are still acknowledging our 21st-century debts to the energy, curiosity, determination and passion for discovery of a host of Victorian polymaths, and here is another. Sir Charles Eastlake (1793-1865) was a painter, scholar, author, collector and translator – fluent in German, French, Italian – and the first director of the National Gallery, rising above disputes with trustees and the government to set the scene for the role it plays today.