Even in this year of years, it has to be accepted that not everyone has a soft spot for sport. Anyone answering to that description may well attempt to sprint, jump or pedal away from the coming onslaught, but if you are anywhere near a television, radio or computer, the five-ring circus is going to be hard to avoid for the next few weeks. Though an arts site devoted to noting, admiring and every so often deploring fresh developments on the cultural map, we felt we couldn’t entirely allow the biggest sporting event ever to visit the shores to pass entirely unnoted.

Producers did warn it was going to be a bad summer for West End theatre, but the announcement of the closure of Chicago is still a curveball. For 15 years the musical - those credits one more time: music by John Kander, lyrics by Fred Ebb, a book adapted by Ebb and Bob Fosse from the play by journalist Maurine Dallas Watkins and choreography by Ann Reinking “in the style of Fosse” - has been keeping audiences entertained at the Adelphi, then the Cambridge and, as of last November, the Garrick. In that time it has grossed over £120 million.

“One never consciously observes. The only people who consciously observe are policemen and undercover agents.” Eric Sykes, who has died at the age of 89, was the last of the great vaudevilleans. When I met him in the late 1990s, he was already totally deaf and largely blind, and somehow continued to work and remain remarkably chipper with it. He had his first ear operation in 1952, another a decade later, whereafter he wore a hearing aid camouflaged as a pair of thick-rimmed glasses.

Shooting is underway on Diana the movie and, as the producers did with Meryl Streep in The Iron Lady, a snap of the star in full fig and wig has been launched upon the world. Naomi Watts, whose previous love interests have included Laura Harring in Mulholland Drive and a sizeable ape in King Kong, plays the spurned wife of the heir to the throne and lover of the son of the owner of Harrod's in a film to be directed by Oliver Hirschbiegel.

With Euro 2012 about to end and the Olympics looming, we'll be hearing an awful lot of national anthems over the next couple of months. Don't we all agree that the majority of them are inadequate - often being turgid tunes with no reference to the culture of the countries involved?  Isn't it about time we had some alternatives? Here are a few suggestions.

United Kingdom

Anthem: God Save the Queen

This Friday afternoon at five o’clock, the National Poet of Wales Gillian Clarke will recite a new poem and initiate a seismic week of Welsh cultural exploration. The inaugural Dinefwr Literary Festival will bring writers and musicians from Wales and beyond to a National Trust house and park in Carmarthenshire. Unlike other literary festivals in Wales – notably Hay and Laugharne – this one will straddle the border between English and Welsh.

The Arts Desk has been voted Specialist Journalism Site of 2012 at the Online Media Awards. In a celebratory dinner at Arsenal's Emirates Stadium recognising "the best and boldest of online news-based creativity and also the most original", The Guardian were the major winners with five awards, but even their new Data Store section was outgunned in the Specialist Journalism category by The Arts Desk.

John Percival, one of the heavyweight group of dance critics of the past 60 years, died last Wednesday, aged 85. He had watched and reported on ballet and dance from their infancy in the Forties right up to recent years, offering a powerful perspective on one of the most vivid and energetic movements in British culture in the 20th century.

Zaha Hadid, visionary architect of the London Olympics Aquatic Centre, becomes a Dame and three new knights of the arts are created in the Queen's Jubilee Birthday Honours announced this morning.

We're extremely happy to have the first viewing of this beautiful video by Grammy-nominated director Eric Epstein for Hilary Hahn and Hauschka's “Draw a Map”. Its perhaps the most completely realised audio-visual summing up of the area of music that is becoming known as post-classical: that is, music that uses the techniques and instruments of the classical tradition but is not constrained by the classical world's commercial and social strictures.

Watch "Draw a Map":