Interviews, Q&As and feature articles<br />
Venice Biennale 2022 review - The Milk of Dreams Part 1: The Giardini
The biggest and most challenging exhibition you’ll be seeing in some time
Cecelia Alemani's vision for The Milk of Dreams, the International Exhibition at the Venice Biennale 2022 had me excited – and perplexed – from the moment I heard about it.
First Person: folk violinist István 'Szalonna' Pál on true Magyar style
Lynchpin of the Hungarian State Folk Ensemble on their visit to London
There's a famous saying that Hungarians are in the middle of Europe. From the West, we have Bach and Palestrina holding our hands; from the East, the Caucasian Turkic peoples. Other nations still need 1,000 years to understand what it means to be Hungarian. In Liszt Mosaics, we want to show our culture, our history and show what the Hungarian soul consists of.
First Person: Christina McMaster - seeking musical cures for modern malaise
Lying down and listening; a pianist and healer contemplates her work
In 2020, during a gentle easing of lockdown restrictions, I was asked to play for the Culture Clinic sessions at Kings Place, a creative initiative where small groups of up to six people could book a ticket for a private, personally tailored performance. After speaking together briefly, I would then prescribe and perform music I felt they needed to hear.
theartsdesk at the Dresden Music Festival - orchestral abundance in a spectacular setting
The Saxon city’s world-famous orchestras front and centre in a full programme of events
'How that music was created remains to me a complete mystery': John Tomlinson on fellow Lancastrian Harrison Birtwistle
The great bass remembers the composer who wrote two roles with his voice in mind
It has been a difficult couple of years for us in the world of opera, losing several of our most respected and admired colleagues who have inspired us over several decades.
Clubbing with the Stones: Live at El Mocambo
Prior to their European tour, one of the band's finest ever gigs sees the light of day
In a little over two week’s time, the three remaining ones will kick-start their 60th year as The Rolling Stones by taking to the stage at a stadium on the edge of Madrid on June 1, around the same time that Elizabeth Windsor marks her own @70 jubilee across the UK.
'An invitation to stillness and reflection': saxophonist and composer Christian Forshaw on collaborating with top choir Tenebrae
On the vocal quality of his chosen instrument and an invitation to stillness
The idea of recording an album with Tenebrae has been bubbling away for a number of years. Nigel Short and I first worked together in 2007 when I asked him to direct the vocal consort for a UK tour I was doing with my own group. Since then we have worked together on a number of projects and regularly discussed the idea of a collaboration with Tenebrae.
First Person: playwright Naomi Wallace on finally hearing her work performed in English
Set in America, 'The Breach' was first seen in Paris, as its author explains
The Breach is a coming of age story and an age-in-the-making story. The play takes place in the U.S. in the 1970s and 1990s, switching back and forth between teenagers in Louisville and their older selves 15 years later. The promise of the 1970s in the US (and UK) when inequality was actively being reduced, and the undoing of that potential, are played out amongst this group of young friends.
First Person: composer Michael Price on responding to Bach's Second Brandenburg Concerto
'The Malling Diamond' is one of six commissions for an ambitious Music@Malling project
There are lots of ways that we respond to great works of art – intellectually and emotionally, then visually, aurally and even by taste and smell, depending on the art in question. I have a habit of screwing my eyes tight shut and bringing to mind a piece of favourite music, or book, or person, and it seems a glowing imprint forms behind your eyelids. You could try it now!