I am fortunate to have worked as a director in theatre, film, television and radio, and so it was hugely intriguing to be invited to direct an online reading of Tom Stoppard’s beautiful 1964 play, A Separate Peace.

As lockdown continues, so does the ability of the theatre community to find new ways to tantalise and entertain. The urge to create and perform surely isn't going to be reined-in by a virus, which explains the explosion of creatives lending their gifts to song cycles, readings, or even the odd quiz night. At the same time, venues and theatre companies the world over continue to unlock cupboards full of goodies, almost too many to absorb.

Last Sunday evening I was making lentil soup (words I never thought I’d type) when Radio 4’s discussion of wealth, or lack thereof, gave way to a profile of Dame Vera Lynn. She was “trending”, her NHS fundraising duet with Katherine Jenkins of “We’ll Meet Again” having hit number one on iTunes. A mash-up of the song, in aid of West End artists, is to follow.

This year was supposed to be so very different. For the best part of the last decade we have been planning a series of major events to take place in 2020 to mark the centenary of the City of Birmingham Symphony Orchestra. Having often commented on how remarkable it was that this institution should have been started by civic leaders in the wake of the First World War and the Spanish flu pandemic, the last thing I expected was that the worst pandemic since then would wipe out most of our centenary activities.

As the art world adjusts to our new reality, social media has allowed galleries and museums to remain open in spirit at least. Tate has kept up a stream of pictures, films and activities for children, while the often brilliant Royal Academy twitter account dispenses a daily dose of silliness via #radailydoodle.

The lockdown has been extended, but here's the good news: each week whereby we are shut inside seems to bring with it ever-enticing arrays of theatre from across the spectrum, from online cabarets to freshly conceived podcasts and all manner of archival offerings of tites both familiar and not. Below is an unscientific sampling of items of interest to look out for either at the moment or during the week ahead.

Our brains are hardwired to respond to crisis by fleeing or fighting. Crisis creates fear and fear demands action so we protect ourselves by running from danger or battling against it. You can see these instinctive responses in the language of the moment where the coronavirus is described as an invisible enemy that must be defeated, and in our actions as we move away from one another to maintain a crucial social distance to protect ourselves and others.

Wagner's final drama, of learning, suffering and redemption through compassion, is second only to Bach's Passions at this time of year, and seems likely to strike a special note in the present crisis. Opera companies around the world, making much in their archives free to view right now, have served up the natural seasonal choice, and they have: there are at least nine choices right now, and they come from the expected centres of excellence including Berlin, Vienna, Munich, New York.

When it comes to making records, I love deadlines. Embarking on an open-ended project, particularly with the infinite number of overdubs made possible by ProTools, is my idea of hell. Back in the Nineties, I once spent an afternoon combining vocal takes line-by-line into a master track for one song. That’s when I started to think writing books might be a better way to make a living.

How fast the world can change. What seemed unimaginable just weeks ago, the effective shuttering of our societies, is now a reality in many countries for at least weeks and quite possibly several months to come. I hope for the health and security of all of you reading this. I’m not going to reflect on our situation at any length as I’m sure many of you have read far more on the subject than is good for you - I certainly have! - but rather I want to talk about an idea that came to me a few days ago that gave me a lot of pleasure.