Interviews, Q&amp;As and feature articles<br />

10th Odessa International Film Festival review - exquisite gay love stories and visionary new music

Not so far from the war zone, the 'Cannes of the East' keeps the film flag flying

Odessa, the so-called "pearl of the Black Sea", is a Ukrainian city full of lovely 19th-century Italianate architecture and sandy beaches, with a reputation, even in Soviet times, for a certain bohemian sense of freedom. It has also, for the past ten years, hosted an impressive international film festival, the 'Cannes of the East'.

theartsdesk Q&A: documentary maker Karen Stokkendal Poulsen

THEARTSDESK Q&A: DIRECTOR KAREN STOKKENDAL POULSEN Documentary-maker discusses her film 'On the Inside of a Military Dictatorship'

The Danish director discusses her film ‘On the Inside of a Military Dictatorship’

For a time, Aung San Suu Kyi enjoyed a heroic status on the international stage perhaps surpassed only by Nelson Mandela. The politician won a Nobel peace prize for her non-violent struggle for democracy and human rights in her country, Myanmar (formerly Burma), endured almost 20 years of house arrest, then played a leading role as her country moved towards so-called democracy.

Ewa Banaszkiewicz and Mateusz Dymek: 'Is our film porny?'

EWA BANASZKIEWICZ AND MATEUSZ DYMEK: 'IS OUR FILM PORNY?' Directors of My Friend the Polish Girl respond to claims they've set the female cause back two decades

Directors of My Friend the Polish Girl respond to claims they've set the female cause back two decades

Spoiler alert: About sixty-four minutes into our debut feature film, one of the main female characters undresses for the camera. Alicja is being filmed by the other protagonist, a young American documentarian named Katie. As the sexually charged long take progresses, it becomes apparent that what started out as an erotic provocation (catering to Katie’s palpable attraction to her) gradually descends into Alicja’s traumatic memory of sexual abuse.

theartsdesk at the Ravenna Festival 2019 - in heaven with Dante's Purgatorio and Estonian rites

THEARTSDESK AT THE RAVENNA FESTIVAL In heaven with Dante's Purgatory and Estonian rites

A dramatic tour from the tomb of Italy's greatest poet and music among the mosaics

Two years ago Ermanna Montanari and Marco Martinelli, the visionary partners who have powered Ravenna's revolutionary Teatro delle Albe since 1986, led local people and international visitors down through the circles of Dante's Inferno. In 2021, the 700th anniversary of the greatest Italian poet's birth, they will take us into the presence of God.

On making The Left Behind: 'We've plugged into the mains'

THE LEFT BEHIND The director of Killed By My Debt introduces his new BBC drama about a hate crime

The director of Killed By My Debt introduces his new BBC drama about a hate crime

The Left Behind is a television drama marinated in real-world research. It tells the story of a young man unable to break free from his bullshit job, zero-hour existence, thrown out of his family home when the council decide that as a single man with no dependents he isn’t a housing priority. He is seduced by a far-right, anti-migrant explanation for his plight and eventually drawn into a sickening hate crime.

'A product not only of his era but also of his travels': Ian Page on Mozart's cosmopolitan education

'A PRODUCT NOT ONLY OF HIS ERA BUT ALSO OF HIS TRAVELS' Ian Page of The Mozartists on Mozart's cosmopolitan education

The Mozartists' main man on how an early life moving around Europe shaped a genius

When Mozart was an established composer living in Vienna during the final years of his short life, a young student seemingly came to him to seek his advice. The would-be young composer said that he was planning to write a symphony, and asked Mozart what advice he could give to him. Mozart replied that a symphony was a complex undertaking, and suggested that the youngster should first write a few keyboard sonatas and string quartets before undertaking an orchestral work. The student, however, was indignant.

theartsdesk in Treviso - cultural patronage, Italian style

High-level attention to detail in the Fondazione Benetton's support for the arts

Fortunate those Italian towns and cities whose Renaissance rulers looked to the arts to enrich their domain. Now neglect of cultural heritage can be laid at the doors of successive governments, but regional enlightenment can make a difference even in the era of Salvini.

First Person: Damian Cruden on reinvigorating the Bard away from London with Shakespeare's Rose

The onetime director of 'The Railway Children' sets out his vision for bringing Shakespeare afresh to the country's 'cultural pageant'

How we deliver culture in the modern day is complex. There are many misconceptions about where and who is capable of leading the nation’s cultural charge. The accepted conceit is that if culture doesn’t emanate from certain places, like London or Stratford, then it couldn’t possibly be of value. By way of response, Shakespeare’s Rose Theatre brings affordable, high-quality culture to audiences outside the M25. It promises an immersive experience, accessible to all and undeniably great fun.

theartsdesk in Svalbard: cultural excellence at the top of the world

THEARTSDESK IN SVALBARD Cultural excellence and polar bears at 78 degrees north

At 78 degrees north, polar bears outnumber people - but Norway's musical flag flies high

You should not die or be born on Svalbard, 1,985 kilometres above Norway's northernmost coast, and at 18 you work or leave for the mainland. Hunting is over, mining nearly so. Tourism, carefully managed, and Arctic research are the future; the Global Seed Vault is also here, and Syria has been the first country to take from it. Excursions outside the biggest settlement, Longyearbyen, are advisable only with an armed guard; dangerous polar bears outnumber inhabitants and occasionally crash into town.

Franco Zeffirelli: 'I had this feeling that I was special'

FRANCO ZEFFIRELLI 1923-2019 Recalling a two-day audience at the home of the great maestro

Recalling a two-day audience at the home of the great maestro, who has died aged 96

"I am amazed to be still alive. Two hours of medieval torment.” Franco Zeffirelli - who has died at the age of 96 - had spent the day having a lumbar injection to treat a sciatic nerve. You could hear the bafflement in his heavily accented English.