Question and answer interviews

Tony Banks: ‘You either do it by diplomacy or you do it by violence’ - interview

TONY BANKS INTERVIEW ‘You either do it by diplomacy or you do it by violence’

From Genesis to regeneration, the keyboard player's tale

In a career that began in 1967 and may yet have further life in it, Genesis have sold 150 million albums (and possibly more), and in their original incarnation with Peter Gabriel as vocalist were an influential force in the development of progressive rock.

John Tusa: 'the arts must make a noise' - interview

JOHN TUSA - INTERVIEW 'The arts must make a noise'

He started Newsnight, ran the World Service and the Barbican, and his new memoir is called Making a Noise

In our era of 24/7 news, downloadable from anywhere in the world at the touch of an app, it's hard to remember that not so very long ago the agenda was set by the BBC - the Home Service as Radio 4 was then called, and BBC TV, just the one channel, which broadcast news at a handful of fixed points during the evening. Outside broadcasts, "OBs", were slow, labour-intensive and expensive. Politicians were respected.

Clio Barnard: 'We need to talk about sexual abuse' - interview

CLIO BARNARD: 'WE NEED TO TALK ABOUT SEXUAL ABUSE' Interview with 'Dark River' director

The director of 'Dark River' discusses tackling sexual trauma and why she’s drawn to Yorkshire

Clio Barnard has quietly been building a reputation as one of Britain’s most human storytellers. Her debut feature The Arbor was a mesmerising look at the life of playwright Andrea Dunbar, blurring the line between documentary and performance.

'Why we understand each other': Peter Gill on The York Realist

'WHY WE UNDERSTAND EACH OTHER': Peter Gill on 'The York Realist'

The playwright-director reflects on his 2001 play, revived at the Donmar and Sheffield Crucible

Fingers on buzzers… Question: What’s the connection between Days of Wine and Roses, Small Change, Making Noise Quietly and Versailles? Answer: They’re all past Donmar productions directed by Peter Gill.

John Mahoney: 'I wanted to be like everybody else'

How the Manchester-born star of 'Frasier' became a naturalised Midwesterner

In 11 seasons of Frasier, John Mahoney played Marty Crane, a cussed blue-collar ex-cop who couldn’t quite understand how his loins came to produce two prissily cultured psychiatrists. His ally in straight-talking was his physiotherapist Daphne, whose fish-out-of-water flat-cap vowels were apparently the result of a gap in the scriptwriters’ field of knowledge. “When they wrote that Daphne is a working girl from Manchester," explained Mahoney, "they had no idea what that meant.

Daniel Day-Lewis: 'I'm quite good at mending things'

The star of Phantom Thread on sewing up his career with Paul Thomas Anderson and Vicky Krieps

Daniel Day-Lewis doesn’t look like a 60-year-old retiree. He’s wearing a striped T-shirt under a dark blue shirt, light brown trousers which descend no further than mid-calf and boots laced high above the ankle he could easily have worn as a young actor in My Beautiful Laundrette. Ditto the earring. He remains as thin and sleek as a whippet. Only the silvery stubble of his hair betrays the march of time.

theartsdesk Q&A: Musician Mark E Smith

The transcript of an 2010 interview with The Fall frontman, who has died aged 60

Since releasing their first record, Bingo Masters Breakout, Mark E Smith (b 1957) has led The Fall through some of rock music’s most extreme and enthralling terrain, cutting a lyrical and musical swathe that few other artists can match. An outsider, self-confessed renegade, and microphone-destroying magus, Smith has seen dozens if not hundreds of musicians pass through the ranks of The Fall over the last 34 years.

Jeremy Irons: 'I was never very beautiful' - interview

JEREMY IRONS INTERVIEW In his 70th year the actor looks back on Olivier and Gielgud, on the Oscars and his start at Bristol Old Vic

In his 70th year the actor looks back on Olivier and Gielgud, on the Oscars and his start at Bristol Old Vic

In 2016 the Bristol Old Vic turned 250. To blow out the candles, England’s oldest continually running theatre summoned home one of its most splendid alumni.

theartsdesk Q&A: Vocalist Cécile McLorin Salvant

Q&A: VOCALIST CECILE MCLORIN SALVANT The US jazz singer talks Bessie Smith, visual art, obsessive listening habits and more

The US jazz singer talks Bessie Smith, visual art, obsessive listening habits and more

The vocalist Cécile McLorin Salvant first came to the attention of the jazz scene when she won the prestigious Thelonious Monk International Jazz competition in 2010. In 2013, her Mack Avenue Records debut WomanChild garnered a Grammy nomination. Two years later, she picked up her first Grammy Award when her follow-up release For One To Love won Best Jazz Vocal Album.

theartsdesk Q&A: Composer, chansonnier and conductor HK Gruber at 75

THEARTSDESK Q&A: HK GRUBER The composer, chansonnier and conductor at 75

On how Weill and Hanns Eisler gave him direction in the 1970s - and on meeting Lenya

You haven't lived until you've witnessed Viennese maverick H(einz) K(arl) Gruber – 75 today (3 January, publication day) – speech-singing, conducting and kazooing his way through his self-styled "pandemonium" Frankenstein!!. Composed for chansonnier and chamber ensemble or large orchestra, it's a contemporary classic nearly 40 years young.