Considering the coal-dark nature of her music, it was unsurprising Sweden's Anna von Hausswolff was dressed entirely in black while meeting up at London’s Rough Trade East shop to talk about her new album Dead Magic. Less foreseeable was her sunny disposition and willingness to veer off topic. She happily explored what has brought her to this point and spoke enthusiastically about her inspirations.

In a career that began in 1967 and may yet have further life in it, Genesis have sold 150 million albums (and possibly more), and in their original incarnation with Peter Gabriel as vocalist were an influential force in the development of progressive rock.

In our era of 24/7 news, downloadable from anywhere in the world at the touch of an app, it's hard to remember that not so very long ago the agenda was set by the BBC - the Home Service as Radio 4 was then called, and BBC TV, just the one channel, which broadcast news at a handful of fixed points during the evening. Outside broadcasts, "OBs", were slow, labour-intensive and expensive. Politicians were respected.

Clio Barnard has quietly been building a reputation as one of Britain’s most human storytellers. Her debut feature The Arbor was a mesmerising look at the life of playwright Andrea Dunbar, blurring the line between documentary and performance.

Fingers on buzzers… Question: What’s the connection between Days of Wine and Roses, Small Change, Making Noise Quietly and Versailles? Answer: They’re all past Donmar productions directed by Peter Gill.

In 11 seasons of Frasier, John Mahoney played Marty Crane, a cussed blue-collar ex-cop who couldn’t quite understand how his loins came to produce two prissily cultured psychiatrists. His ally in straight-talking was his physiotherapist Daphne, whose fish-out-of-water flat-cap vowels were apparently the result of a gap in the scriptwriters’ field of knowledge. “When they wrote that Daphne is a working girl from Manchester," explained Mahoney, "they had no idea what that meant.

Daniel Day-Lewis doesn’t look like a 60-year-old retiree. He’s wearing a striped T-shirt under a dark blue shirt, light brown trousers which descend no further than mid-calf and boots laced high above the ankle he could easily have worn as a young actor in My Beautiful Laundrette. Ditto the earring. He remains as thin and sleek as a whippet. Only the silvery stubble of his hair betrays the march of time.

Since releasing their first record, Bingo Masters Breakout, Mark E Smith (b 1957) has led The Fall through some of rock music’s most extreme and enthralling terrain, cutting a lyrical and musical swathe that few other artists can match. An outsider, self-confessed renegade, and microphone-destroying magus, Smith has seen dozens if not hundreds of musicians pass through the ranks of The Fall over the last 34 years.

In 2016 the Bristol Old Vic turned 250. To blow out the candles, England’s oldest continually running theatre summoned home one of its most splendid alumni.

The vocalist Cécile McLorin Salvant first came to the attention of the jazz scene when she won the prestigious Thelonious Monk International Jazz competition in 2010. In 2013, her Mack Avenue Records debut WomanChild garnered a Grammy nomination. Two years later, she picked up her first Grammy Award when her follow-up release For One To Love won Best Jazz Vocal Album.