Question and answer interviews

Directors the Dardenne brothers: 'To be living means to be fragile'

FILM DIRECTORS JEAN-PIERRE AND LUC DARDENNE 'To be living means to be fragile'

The Belgian masters discuss 'Tori and Lokita', and finding humanity on film

Belgian brothers Luc and Jean-Pierre Dardenne have made their home region of Liège the site of excruciating moral crises and crushing injustice. Their 12 masterful, double Palme d'Or-winning films act as parables for the embattled human soul.

Q&A: Bianca Stigter, director of 'Three Minutes: A Lengthening'

Q&A BIANCA STIGLER The historian and filmmaker on 'Three Minutes: A Lengthening'

The historian and filmmaker discusses her haunting documentary about a Polish shtetl filmed on the brink of the abyss in 1938

Holidaying in Europe with his wife Lisa and friends in August 1938, David Kurtz of Flatbush, Brooklyn, whose family left Poland in 1892 when he was four, returned to his hometown of Nasielsk (population 7,000), 33 miles north-west of Warsaw. There, as an amateur cameraman, he unwittingly made a brief away-from-home movie that would prove to have unimaginable emotional power.

Leslie Phillips: 'I can be recognised by my voice alone'

'I CAN BE RECOGNISED BY MY VOICE ALONE': RIP LESLIE PHILLIPS 20 APRIL 1924 - 7 NOVEMBER 2022

Saying goodbye to the actor famous for saying hello

Leslie Phillips would have known for half a century that at his death, which was announced yesterday, the obituaries would lead with one thing only. However much serious work he did in the theatre and on screen, he is forever handcuffed to the skirt-chaser he gave us in sundry Carry Ons and Doctor films and London bus movies. Although he was to reach the age of 98, he already felt very senior when I met him at his home in his mid-seventies.

‘Stripping naked the process of making theatre’: Martin Crimp talks about his latest play

PLAYWRIGHT MARTIN CRIMP ‘Stripping naked the process of making theatre’

The playwright talks about 'Not One of These People', which he is performing himself, digital creativity and constraints on authorship

The fictional world is our world, but at the same time it’s another place. We want our writers to invent interesting characters, gripping plots and to take us to unexpected places. We want them to delight us, and sometimes to fright us. We want to immerse ourselves in their inventions, lose ourselves in their fictions, and explore their newly created worlds. But are writers allowed to say anything they want? Is there a limit in our progressive and increasingly sensitive society on what they can invent?

theartsdesk Q&A: Abel Selaocoe

ABEL SELAOCOE The South African cellist and rising star of World and Classical on his debut album

The South African cellist and rising star of World and Classical on the music, life and history embedded in his debut album 'Where Is Home'

South-African cellist Abel Selaocoe is about to begin his third major concert in London in under a year. As the support artist for kora player Ballake Sissoko and cellist Vincent Segal at the Roundhouse in January, he received a lengthy ovation for his 30 minute set, having demonstrated an uncanny ability to play the audience as dexterously as he plays his cello.

theartsdesk Q&A: Horn player Sarah Willis on returning to Cuba

HORN PLAYER SARAH WILLIS On returning to Cuba, guaguancós, cha-cha-chas and crickets

Guaguancós, cha-cha-chas and crickets as the horn player commissions a new work in Havana

Berlin Philharmonic Horn player Sarah Willis’s Mozart y Mambo caused a stir in 2020, its mixture of Mozart and traditional Cuban music making it a bestselling crossover disc.

theartsdesk Q&A: bass-baritone Christopher Purves on communicating everything from Handel to George Benjamin

Q&A: CHRISTOPHER PURVES On communicating everything from Handel to George Benjamin

The great singing actor on his best experiences - including Zurich Opera's new Ring

He’s the most haunting, at times terrifying Wozzeck I’ve seen, in Richard Jones's Welsh National Opera baked-bean-factory production, and the funniest Falstaff. When we met in his dressing room at the Zurich Opera House, Christopher Purves was about to perform the central role of bitter and twisted Alberich in Wagner’s Das Rheingold, and in a week’s time you can hear him singing Handel again, another speciality at the other end of the spectrum.

10 Questions for art historian and fiction writer Chloë Ashby

ART HISTORIAN AND FICTION WRITER CHLOE ASHBY On sights, acts of seeing and her book 'Wet Paint', inspired by Manet’s 'A Bar at the Folies-Bergère'

On sights, acts of seeing and book 'Wet paint', inspired by Manet’s 'A Bar at the Folies-Bergère'

“Is she at a pivotal point in her life but unable to pivot…?” Eve, the young heroine of Chloë Ashby’s dazzling debut novel, Wet Paint, asks this question standing in front of Édouard Manet’s painting "A Bar at the Folies-Bergère" (1882). Yet she could easily be asking herself the same question.

theartsdesk Q&A: Marc Almond of Soft Cell

The Eighties icon tells how Andy Warhol, Chernobyl, nostalgia and the colour purple inspired the first Soft Cell album in 20 years

Soft Cell, the duo consisting of Marc Almond and Dave Ball, announced they were calling it quits in 2018. The two sold out shows at the 02 in London were supposed to be their swan song, waving goodbye to their Soft Cell days. But as their eponymous Eighties single hinted, waving goodbye is often paired with a hello. In 2020 they embarked on a nationwide tour, playing their classic 1981 album Non-Stop Erotic Cabaret in its entirety. This wasn’t just a nostalgia tour though.

10 Questions for Musician Jarboe

10 QUESTIONS FOR MUSICIAN JARBOE On collaboration and the secret to excellent hearing

'skin blood women roses', collaboration and the secret to excellent hearing

Jarboe is a singer and musician who first rose to prominence as a member of Swans from 1985 to 1997. During this time, she and her then partner and fellow Swan, Michael Gira, also released three albums as Skin (known as World of Skin in the USA).