Beth Gibbons’s latest album touched me more deeply than most of what I heard in 2024. She’s true to herself and honest in a way that’s extraordinarily disarming. Her vulnerability matches, in a microcosmic and yet authentic way, the unutterable pain and suffering that has coursed through the year, amplified by the media-boosted repetition of horrific news cycles.

From the iconic Pop anthems that dominated this Summer, to the Pop Punk resurgence that is still going strong, it’s been an exciting twelve months of new music. I haven’t struggled to choose an album of the year, but I acknowledge that my choice is in great company. To Dream of Something Wicked by Mat Kerekes deserves a mention before I continue, the solo career of the Citizen lead singer receives a criminal lack of attention, and his latest album is a perfect addition to his growing catalogue.

Someone told me recently that Netflix subscribers can view just 22 films made before 1980. I've no idea if this is true (please correct me if not), but it’s certainly a reason to continue watching and collecting films on physical discs. Plus, there’s the bonus features, booklet notes, commentaries and deleted scenes, all things which you won’t find on streaming services. Here’s my pick of the year’s Blu-ray releases, in no particular order:

Back in November Katherine Priddy released a winter single with the Poet Laureate, Simon Armitage, “Close Season”, wrapping the spirit of winter and snowfall into the uncertainty and possession of attraction, possession, desire – warm things that glow in the seasonal dark.

There's a tension in Alfred Hitchcock’s early films between misogyny and condemnation of the patriarchal suppression of women. The suppression was inherent in the original sources from which The Pleasure Garden (1926), Easy Virtue (1927), Champagne (1928), The Manxman (1929), Blackmail (1929), Juno and the Paycock (1930), and The Skin Game (1931) were adapted. 

From placing first in the Sarah Vaughan International Vocal Jazz Competition in 2019 to being a triple Grammy winner, Samara Joy’s rise has been nothing short of meteoric. Joy’s third album, Portrait – an astonishingly good collection which saw the vocalist, songwriter, arranger and bandleader reach ever greater heights of artistic expression – is my Album of the Year.

Born Horses remains as inscrutable as it was when it was issued in the summer. While it is about the search for enlightenment through journeying into inner space, much of what’s described – the album’s words are largely spoken – is allegorical, coming across as beatnik-style reportage documenting a form of psychedelic experience.

In many ways, 2024 has been a stellar year for New Music. There have certainly been plenty of albums released that could easily have gained “year’s best” status in recent times and would have buried those that actually did receive those plaudits.

Three Wishes for Cinderella (Tři oříšky pro Popelku) is one of Czech cinema’s best-loved pohadky, or "fairy tales".