We can all do with a dopamine hit right now, given the current lockdown, and those feel-good hormones kick in the instant you hear Yussef Dayes’ tight backbeat on the opening title track of What Kinda Music. A collaboration between drummer and producer Dayes and fellow south-east London-based producer and singer-songwriter Tom Misch – whose "Disco Yes" was one of Barack Obama’s favourite tracks of 2018 – the album is released today via the iconic Blue Note Records.

Netflix’s sweet but slightly strange drama Sex Education is already two series into its tale of teenage awkwardness in the face of growing up, with a third planned for when the Covid-19 plague is over. Yet it is only now that the soundtrack is being unleashed on the record-buying public.

Few singers can channel bitterness, anger and pain as well as Lucinda Williams: she moves with ease from a fierce snarl to a sensual drawl, and from a naked show of vulnerability to a rocker’s raunch. As with Tom Waits, with whom she has sometimes been compared, there is something stylised about her vocal style, almost mannered. And yet, born performer and poet that she is, she channels archetypal emotions in a way that never feels forced.

Originally aired in BBC2’s “Theatre 625” slot in July 1968, Nigel Kneale’s The Year of the Sex Olympics has gathered a reputation as a groundbreaking piece of TV drama which uncannily anticipated the broadcasting future.

The out-of-control missile on the cover is emblematic. The actual takeoff in question is the flight Brian Christinzio was forced to board in 2015 following his deportation from the UK.

Early in The Scar (1976), the opening film in Arrow Academy’s Cinema of Conflict limited edition quartet, Stefan Bednarz (Franciszek Pieczka) requests a partial reshoot of what is to be his first interview as the newly appointed director of a large chemical factory, built in his hometown of Olechów. “This is not a feature film … no second takes”, comes the reply, unheard by Bednarz, from the journalist and filmmaker behind the camera.

Rituals of death call for music: to see the spirits of the dead off on their journey to the other side, to express the grief of those left behind or to celebrate the cycle of life and death. Fra Fra are a quartet from the predominantly Muslim northern part of Ghana - a much drier region than more forested areas of the south.They specialise in music that's performed at traditional funerals

One thing with this whole lockdown business is that we’re all trying to be as nice as possible to each other. At the moment, we music writers aim to recommend material people can enjoy while stuck at home. Our knives are staying sheathed. What, then, are we supposed to do when confronted with Twinnie’s debut album? The most positive thing that springs to mind is that the best of it sounds like Taylor Swift just before she went full pop. Which is hardly a glowing endorsement.

Fiona Apple simmered in the LA sun for eight years to make this record, mostly holed up at home since her beloved dog died and she stopped drinking. Rather than polish the result to a sleek gleam, this is an album of trailing threads and percussive clatter, layered like unwiped tape.

Although it followed on from the previous hits Fort Apache (1948) and She Wore A Yellow Ribbon (1949), Rio Grande found director John Ford suffering from straitened finances.