So the ambient revival continues apace, getting deeper and wider with each passing year. From the interstices between the classical concert hall, abstract art installations, the backroom of more insalubrious little raves and festivals, the small hours on oddball online radio stations, and the spaces into which people get lost as they defocus and absorb themselves into their headphone soundtracks on commutes seems to seep more and more sound that is textural above all.

The world was captivated by the Arab Spring – thousands of citizens rising up in unity against longstanding dictatorships, filling squares and refusing to bow. But for many of us, it was a world away; the crowds were a single organism, thinking and acting as one. What The Nile Hilton Incident does incredibly well is create the feeling of being an individual on those streets: placing you in that simmering cauldron, a city on the edge.

The Bass Defence League campaigns for mental health. As with everything Big Narstie does, there are serious points in this release wedged next to the broadest comedy, and it’s no coincidence, as we learn from the vivid parody of “BDL Protest” intro skit, that BDL is only a letter away from EDL.

It’s three years since Years & Years’ debut album Communion, with its monster singles “King” and “Shine”, put them on the map as major pop stars. Their music was smartly (albeit faintly) flavoured with sounds ranging from LA alt-hip hop to Hot Chip, and in cute live wire Olly Alexander they had a characterful and proudly gay frontman. Their new album has, then, been much anticipated.

Wes Anderson’s fourth feature followed on from The Royal Tenenbaums, still a near-perfect blend of whimsy, pathos and poetry. The Life Aquatic with Steve Zissou is almost as ungainly as its title, the mismatched crew of Bill Murray’s ship acting as a surrogate dysfunctional family.

Not many bands have a reputation for passion quite like The Alarm. Right from the early Eighties, tracks like "68 Guns" attracted fans who wanted music to believe in – something with a message and a conscience. That ethos came from the band's driving force, singer Mike Peters. After 10 fruitful years, Peters disbanded The Alarm (in 1991) to pursue other projects. A decade later he resurrected the group with a new line up. Equals is their first album for eight years.

Curiously, though, the LP starts off not with a bang, but a slight whimper. "Two Rivers" has one of the most lightweight intros Peters has ever penned. It's especially odd when you consider what was going on when he wrote it. In 2015 Peters suffered a relapse of leukaemia. Shortly after, his wife (and Alarm keyboardist), Jules, was diagnosed with breast cancer. Given all this trauma, you might suppose the album would burst out of the traps, all full of angsty guitars.

Instead, things begin with a limp dance beat – half of "Two Rivers"  feels more like an Ibiza remix than an actual Alarm song.  Fortunately, things soon improve, and it's as much to do with the instruments as the songs. The guitar work ranges from crashing chords on "Beautiful", to a solo on "Coming Backwards" from The Cult's Billy Duffy. Peters's voice is on great form too. "Transatlantic" and "Cenotaph" see him at his most U2-ish, picking a delicate melody and then blasting it out. Eventually, even the use of synths starts to work. "13 Dead Reindeer", in particular, blends guitar and electronica to sound very up-to-the-minute.

In fact, the more you listen to Equals the more contemporary it feels. Of course, it helps that Peters's vocals still sound like he's about 25. It's also the songs' blend of power pop and anthemic rock. The formula is not dissimilar to what bands like Biffy Clyro and Twin Altantic seem to be aiming for, except those bands tend to sound like they've been chemically neutered. The Alarm, by contrast, still play with genuine cojones. By the time you reach the end of Equals the overriding feeling is that Peters and friends have still got it.

• Read more New Music reviews on theartsdesk

@russcoffey

Overleaf: watch The Alarm's video for "Beautiful"