Margaret Thatcher’s witless assertion that “there is no such thing as society” dates back to 1987; Ken Loach’s The Old Oak offers a belated but powerful rebuttal.
As a lifelong blink fan, there was no competition for my album of the year. One More Time… was undeniably the musical highlight of 2023 for me, a perfect token of the next chapter of blink-182. Accompanied by an intimate Zane Lowe interview and a tour that were as joyous and emotional as the music itself, 2023 was the year that blink reminded the world of their magic.
Even Alanis would admit that choosing an album of the year from a band channeling the Seventies and who don’t actually exist is pretty ironic. Don’t you think? Originally drummed up by New York Times bestselling author Taylor Jenkins Read, Daisy Jones & The Six in its original book form documented the whirlwind rise and fall of a band whose sound defined an era.
Where 2022 threw a personal surprise Album of the Year with Maggie Roger’s dancey indie-folk blend on Surrender, 2023 was more of a return to business, with a range of my regular listens all popping up with solid-to-supreme listens.
“I had sex with a woman. Can I tell you about it, please?” says film director Tomas (Franz Rogowski) to his husband Martin (Ben Whishaw), a printmaker. Tomas is full of excitement about his night with Agathe (Adèle Exarchopoulos); Martin is resigned, pale, doesn’t want the details. This always happens when you finish a film, he says. Take a nap, relax. But Tomas has thrown their relationship into crisis.
In 2023 Dave and Central Cee had the longest running number one UK rap song ever with "Sprinter", a song about the logistics of being very rich. The real star of the show, however, was the spritely, luxurious instrumental which was partially produced by South Londoner Jim Legxacy, who also released the best album of 2023: HNPM.
Is it just me, or has the task of getting hold of basic information so that we as writers can tell colourful and reliable stories about music – rather than being dutiful recyclers of marketing blurb – become increasingly difficult in 2023?
Just like our current government, I’m terrible at long termism. Fortunately, my inability to know what the future holds doesn’t cost lives as it largely concerns fashion, paint colours and music. Over the decades, there are songs I’ve loved with a huge passion that now totally give the proverbial ick the minute their opening chords strike up.
My CD player died some time ago, that is to say it sticks or skips whatever I do to clean it. Dismantling the fancy stack in which it sits and installing a replacement is a hassle, but even so it would once have been unthinkable that I could survive without a CD player. I still have a deck, and vinyl, and my computer has pretty good speakers. Even so the fact that I’ve not replaced it must say something about my interest, or lack of, in new releases, though exploring on Spotify sometimes throws up something new and exciting.
If Mélusine is encountered without knowing its background or themes it would still be remarkable. There is no need to know anything about what frames this journey through Chanson Française, electronica, jazz and show-tune sensibilities with lyrics in English, French, Haitian Kreyòl and Occitan. For all these aspects, Cécile McLorin Salvant’s seventh album is striking enough.