The journey of Ross “Hudson Mohawke” Birchard has been truly one of the most extraordinary in modern music. From teenage scratch DJ champion and happy hardcore raver in some of Glasgow’s more feral club environments, in the late Noughties he quickly moved through making rhythmically fractured hip hop.
The last time Danger Mouse (Brian Burton to his mum) dropped a hip hop album, it was 2005’s The Mouse & The Mask, a witty, beaty, big and bouncy collaboration with the late, great MF DOOM. That was 17 years ago. In fairness, he’s been busy with worldwide No. 1 smash hits, and production gigs for pop royalty including Adele, U2, Gorillaz and Michael Kiwanuka.
Boris are an eclectic Japanese band, with over 20 albums to their name. Following their creative instincts and often recording live with no overdubs, they are never less than brave, making music that takes no prisoners. They are masters of sounds that are intense, and range widely, from dreamy ambient to furious metal, meditative stillness to a relentless high-speed assault on the senses.
With a title like The Alchemist’s Euphoria, Kasabian set senses tingling; anticipating something trippy with this seventh album, their first in five years. But the context behind it is all the more real and raw.
Although Raf Vilar grew up in Rio De Janeiro he has been based in London for over a decade, where his second album Clichê was recorded. It appears on a label operating from Malmö, Sweden. In keeping with this internationalism, what’s emerged isn’t wholly identifiable as a Brazilian album. His 2011 first was unequivocally titled Studies In Bossa. Now, the designation is more inscrutable.
It’s about 30 years since the ever-influential Spacemen 3 called it a day amid a storm of backbiting and recriminations. Yet in 2022, within a couple of months of each other, the band’s twin powerhouses have both released albums of their own.
Violinist and composer Ruby Colley combines elements of folk, contemporary classical and jazz with explorations and evocations of the natural world.
There’s polarising discourse and there’s polarising discourse, and then there’s Beyoncé discourse. On the one hand, there’s “the Bey Hive”: the very model of a furious modern fandom who will boost her and monster her critics at a microsecond’s notice. There are the commentators for whom everything she does is by definition profound, moral and important, regardless of any hypercapitalist excesses and hanging out with dicators’ offspring.
Over the past few years, Joe Pera Talks With You has been one of television’s joys. Each episode finds the small-town American music teacher navigating life in Upper Michigan. Unhurriedly, with good humour, he deals with the day-to-day small things. The big things are more complicated, but he finds his way. Every programme is a warm bath in goodness.
From Brighton to Berlin with the Brit School alums, who formed 20 years ago – allegedly out shopping in Primark. Virgin signed them three months later. What started as “a joke” has endured through five albums – and here comes their sixth, 10 Tracks to Echo in the Dark.