In normal times, Edinburgh Festival audiences would now be packing into the city’s invaluable Traverse Theatre, home to some of the most vibrant new writing in the country.
Musings on the agonies of adolescent love fall like dead weight in this wearying if well-acted adaptation by writer-director Richard Tanne of the 2016 Young Adult novel Our Chemical Hearts by Krystal Sutherland. 17-year-old Henry Page (Austin Abrams) falls hard for Grace Torn (Lili Reinhart, from TV's Riverdale), the indrawn new transfer student at his New Jersey high school who walks with a cane and speaks of needing her sins erased.
Canadian-Iranian director Sadaf Foroughi offers up a gut-wrenching tale of adolescent rebellion set against the strictures of an oppressive Middle Eastern society.
Babyteeth gets off to a terrific start. A semi-naked, manic Moses (Toby Wallace, full of scabby charisma) almost pushes 15-year-old Milla (Eliza Scanlen; Sharp Objects, Little Women) on to the Sydney train tracks as she waits on the platform in her school uniform, carrying her violin. It’s a thunderclap: she’s smitten.
Yoram (Menashe Noy), a vet in a Tel Aviv safari park, knows how to treat a sick jaguar (startling to see such a magnificent beast in an oxygen mask) but he has no idea how to comfort his troubled 17-year-old daughter Roni (a powerful Zohar Meidan). Both are mourning the death of Roni’s mother a year ago, but all they can offer each other is a tortured silence.
Is friendship mightier and more durable than sex? That's the proposition put forward by the engaging if ultimately cautious Banana Split, the Los Angeles-set romcom in which two teenagers become friends unbeknownst to the long-haired himbo boyfriend whom they have shared.
Netflix’s sweet but slightly strange drama Sex Education is already two series into its tale of teenage awkwardness in the face of growing up, with a third planned for when the Covid-19 plague is over. Yet it is only now that the soundtrack is being unleashed on the record-buying public.
The way that theatres and other arts institutions have leapt into action over the past week, providing a wealth of material online and new ways to connect with audiences, has been truly inspirational.
