Nick Hornby’s protagonists are worlds apart. Joseph is a Black 22-year-old with a “portfolio career", which includes shift work at a butcher’s and a leisure centre and the distant dream of becoming a DJ. Lucy, a regular customer at the butcher’s where Joseph works, is a white, forty-two-year-old mother, recently divorced from an addict ex-husband and Head of English at a local “troubled inner city school.” When she asks Joseph to be a babysitter for her two children, the pair embark on an unexpected romantic relationship.

Readers of Left Out may be surprised to find out how much of party politics is conducted over WhatsApp. The Labour Party under Jeremy Corbyn had an encrypted chat for every occasion – whether it was to smear a colleague, to slime the “scumbag” press, or (as was the case with two rogue party staffers) to plot the demise of the “Project” from the inside.

One of the most evocative tracks on James Dean Bradfield’s second solo album is hardly his at all. The Manic Street Preacher takes “La Partida”, a haunting, finger-picked melody by the Chilean musician Victor Jara, and blows it up to the size of an arena, its central refrain echoed back by a stadium’s worth of voices.

Things fell apart; the Centre Right could not hold. Anne Applebaum knows it from the inside. A Reaganite with whom I imagine a civilized conversation would have been possible even in former times married to a Polish politician, now MEP, Radek Sikorski, whose many good deeds speak louder than his views, Applebaum has produced a concise, lucid and very readable summary of how it all went wrong.

We're easing out of lockdown, haircuts are being had, and the theatre continually shape-shifts to accommodate these changing times. All credit to the 14 writers who have conjoined forces in urgency and haste to create 846, a collection of audio plays responding to the murder of George Floyd and the Black Lives Matter movement.

In the midst of our increasingly confrontational politics of race and gender, it was a timely move to make this series (on BBC Two) about Seventies radical feminism and the battle over the Equal Rights Amendment (ERA) in the USA, even if some of the minutiae are liable to sound abstract or alien to British viewers.

The movie adaptation of Lin-Manuel Miranda’s In the Heights was meant to hit cinemas this summer, but, in response to Covid-19, has been put back to 2021.

On the Record, the latest documentary from Kirby Dick and Amy Ziering (acclaimed directors of The Hunting Ground), dives into the sexual misconduct allegations against music mogul Russell Simmons, the so-called ‘Godf

Why don’t you have children? Why aren’t you married? Why don’t you own your own home? Why are you a failure? These are the societally enforced questions that, as a 34-year-old woman, Nadine Shah finds inescapable. Much like the rest of us. When talking to friends who also considered themselves “non-achievers”, she realised something was very wrong.

There is a line of argument that – unfairly – blames playwright James Graham for Dominic Cummings. Would Cummings, some might ask, have achieved the influence he has now if it hadn’t been for his depiction in Graham’s brilliant TV drama Brexit: The Uncivil War in which he was played as an obsessive genius by Benedict Cumberbatch?