You will doubtless have seen the protestors who dress as Gilean handmaids to protest anti-abortion legislation from Texas to Missouri. They model their costumes on those of the television adaptation of The Handmaid’s Tale: tight white bonnets and red smocks. They appear at courthouses and state capitols as a warning from the near-future or a fiction which feels ever more like the present – and the truth.

In the current feverish atmosphere at Westminster, with arguments about Brexit becoming increasingly shrill, the time is right once more for political theatre: serious plays about serious issues. Oddly enough, however, while television has effectively dramatized the current crisis, in films such as Channel 4's Brexit: The Uncivil War, theatre seems to take a more oblique approach by setting its stories in the past.

Of all grime's original generation, Kano has a strong claim to being the greatest rhyme-constructor in the old school hip hop sense of dense rhymes packed with multiple meanings. Add movie star looks and a penchant for fur coats in photoshoots and he was most young grime fans' tip for following Dizzee Rascal into the big league.

As Penny Lane’s documentary shows, America and Satanism have a long history. From the Salem Witch trials to the moral panic triggered by the Manson murders and films like William Friedkin’s The Exorcist in the 1970s, mass panic in America of the occult is nothing new.

”Cunts Are Still”. Well, that got your attention, didn’t it? Not my words, merely the title of one of JARV IS’s new tracks. In case you didn’t get it, JARV IS is a play on words and the name of given to Pulp frontman and founder Jarvis Cocker’s latest outfit. Cocker still is releasing new material. He still is an exuberant and energetic performer. He still is wearing those glasses. And still is very good.

Darren McGarvey AKA Loki: Scotland Today The Stand's New Town Theatre ★★★★★   

Donald Trump’s former strategist, alt-right propagandist and all-round provocateur Steve Bannon comes under the spotlight of a smart, dynamic, behind-closed-doors documentary, as he attempts to turn his brand of far-right populism into a global movement.  

The surprisingly touching conclusion to BBC Two’s five-part chronicle of the Thatcher years was a masterpiece of contemporary history. Congratulations to producer Alice Fraser, director Pamela Gordon, and composer Alexandra Harwood for very fitting and emotive music (for once).

Five years ago, when the world was still reeling from 2008 and Britain from the swinging axe of George Osborne, Thomas Piketty’s Capital was an unlikely bestseller. It was a book probably more bought than read, but it contained an important and highly topical message: that wealth was once again concentrated in the hands of few people, just as had been the case before World War One.

Here’s a strange thing: sit in a quiet room reading through the poems that make up Kate Tempest’s third album and her swirling collage of words drags you in. It’s an opaque concept work, mingling themes of a broken Britain, teetering on the brink of socio-political disaster, with the gritty, urban search for love in a time where sex is served up like fast food.