Madness are an English institution due to deathless, jolly hits such as “House of Fun”, “Baggy Trousers” and “One Step Beyond”, but there’s always been another side to them.
VINYL OF THE MONTH
Being Dead When Horses Would Run (Bayonet)
The KLF are endlessly fascinating. There’s never been a “pop group” like them. From the late Eighties into the early Nineties, they treated music, especially electronic dance music, as a laboratory for lunatic experiment. Unlike most avant-garde thinkers in pop, though, they made a glorious and highly unlikely commercial success of it, via a series of globally successful singles (and, to some degree, the album, The White Room).
If you thought being a pop star might be fun, this four-part voyage around the tortured soul of Robbie Williams may convince you otherwise. He has sold 75 million records and historic numbers of concert tickets, scored 13 Number One albums and seven Number One singles in the UK, and has a shed full of gongs including 18 Brit Awards. But even so, now three months short of his 50th birthday, he still seems to feel that it could suddenly all end tomorrow, or possibly even this afternoon.
This splendid book proves that trivia need not be trivial, and that a miscellany of apparently disconnected facts can cohere, if done well. It is in the proud lineage of the “toilet book”, a form sadly in decline in these days of the smartphone. Although modest in its ambitions, it provides entertainment, enlightenment and a sense of serendipity, transcending its bullet-point format to be more than the sum of its parts.
“How psychedelic is your pop? This is the demanding question posed to many groups today, struggling for acceptance. It's no longer any good to say: ‘Well, mate, we can play Wilson Pickett, James Brown and all that gear,’ to anybody contemplating booking a band. One has to explain whether one is likely to set fire to the auditorium, or batter the audience’s senses with flame, light and fiendish noises.”
The three previous albums that Orchestral Manoeuvres in the Dark have released since reforming in 2010 have all, to varying degrees, adhered to their early sound. The band were part of the post-punk, post-Kraftwerk, 1979-82 synth-pop boom, alongside the likes of The Human League, Depeche Mode and Gary Numan.
When Maisie Peters first appeared onstage she loudly asked if the crowd were ready for “the best night of their lives”, and given the youthful nature of the audience the ensuing 80 minutes might have lived up to the hype. There were screams, hysteria and, in one case, an emotional lass getting on her phone to tell her significant other that hearing break-up songs brought home how much they appreciated them.
Exactly 40 years since Madonna’s first UK hit, “Holiday”, was skittering about the Top Five, she launches her global Celebration Tour at the O2.