For someone predominantly poised at her kit, the mononymous music producer’s return is surprisingly devoid of live drums. Daughter of Leftfield cofounder Neil Barnes, Georgia has made a name for herself as the drummer for artists such as Kwes and Kae Tempest. Her 2019 release Seeking Thrills was “a hymn to British hedonism” with a hefty slice of Robyn-esque pop panache. Last year saw Georgia embrace these stadium-sized singalongs as tour support for LA sister trio Haim.

Full disclosure. I actively dislike Blur and always have. Don’t get me started on why. That would last seven times as long as this review.

Ever since she broke through in her teens, Leicestershire singer Mahalia Burkmar’s music has often been referred to as retro or revivalist R&B. But that framing is a fundamental misunderstanding of the way the genre operates for young 21st century music lovers. For fans and artists of Mahalia’s generation – she’s 25 – the Nineties and early Noughties classics of Mariah, TLC, Destinys Child and co aren’t really retro in the way that Seventies and Eighties music were back then.

“One night I had a vision of this,” says a visibly emotional Damon Albarn as he looks out to the mass of the crowd at Wembley. Despite closing the London Olympics in 2012, selling millions of albums and headlining Glastonbury, there is the sense that even in their prime, performing two nights at the 90,000 Stadium was one step out of reach.

So, the unadulterated elation – shock even that Blur feels to be here now pumps this reunion. All these years later they’ve done it, and you bet that they’re going to enjoy it.

TUESDAY 27^TH JUNE 2023

I wake up around 11.00, get outta bed around 12.00.

Even when Peter Gabriel is bleak, he has reasons to be cheerful. Early on in his set he opined that soon enough “none of us will have jobs anymore”, referring to the ongoing rise of artificial intelligence, although this was followed by him stressing the positives that can be found in such new technology. It seemed fitting, because Gabriel himself, now 73, showed on this evening that optimistic possibilities of the future occupy his thoughts as much as ever.

Whether it’s the newly platinum tresses or the bubblegum production shimmer that make up Maisie Peters’ sophomore record, The Good Witch has a definite nod to The Wizard of Oz’s Glinda. Unlike that Good Witch of the North though, Peters’ career didn’t just pop off like a bubble. Still only 23 years old, Peters has actually been crafting songs for over a decade now.

The words “Mersey” and “beat” were first publicly paired-up in July 1961 when a newspaper titled Mersey Beat went on sale in Liverpool. The debut issue – dated July 6-20 1961 – was distributed to newsagents. Its editor, art student Bill Harry, personally delivered copies to 28 other shops. It was also on sale at local clubs and jive halls. The NEMS store’s Brian Epstein took 25 copies of the first issue. The print run was 5000 copies.

Yusuf/Cat Stevens’ latest combines his apparently effortless immediacy at acoustic guitar songwriting with an orchestrated opulence that sometimes pushes the sound towards the realms of musical theatre. Lyrically, he’s in fine form too, but what will likely define many listeners’ response to the album is how they feel about his repeated and passionate belief in God, which permeates everything.

When McFly returned to our loudspeakers in the summer of 2020 with Young Dumb Thrills, the record marked their first in a decade.