Call You And Yours: Are arts nice-to-have or must-have?

Culture Minister joins live radio debate to find out public stance on arts spending

Culture Minister Ed Vaizey joined BBC Radio 4 Call You and Yours to debate public arts funding, joining a panel and answering phonecalls and emails from the public. The government will be incorporating some of the public comments into its current decisions on arts funding. This is a simultaneously typed rough transcript of the programme.

After A Dancemaker Dies, BBC Radio 3

A radio programme asks why choreographers don't try harder to save their art

Two giants of dance died last year: Pina Bausch and Merce Cunningham. Right now audiences aren’t being deprived of seeing why their names are written permanently in lights in dance history (Bausch’s company performs in Edinburgh and London later this year, Cunningham’s is in London in October), but after 2011 they may be. Cunningham’s company will close, while Bausch’s will be in its last of an uncertain three-year grace period. It was in this light that Frances Byrnes made a remarkable programme broadcast last night.

BBC Scottish Symphony Orchestra, Runnicles, Royal Albert Hall

Donald Runnicles - a great Mahlerian in the making?

Being a great Mahler conductor is all about going the extra distance: the near-inaudible pianissimo, the seismic crescendo, the rhetorical ritardando; the accelerando that borders on reckless, the tempo change that crashes the gear-shift, the general pause that becomes a gaping chasm. Mahler took all the trappings of Austro-German music to the edge and back. His most successful interpreters do likewise. So, on the evidence of this Prom performance of the pantheistic Third Symphony, is Donald Runnicles a great Mahler conductor? Maybe not quite, not yet. But getting there.

BBC Scottish Symphony Orchestra, Runnicles, Royal Albert Hall

A glowing programme of works both English and international from Scots on top form

What a quintessential Prom: a quartet of works by English composers which aspire to international status, and in three cases wholly succeed, performed by the BBC's Scottish orchestra at world-class level under its homegrown but deservedly globetrotting chief conductor Donald Runnicles. And doing what the Albert Hall, if handled properly, assists in doing best - not the noisy stuff, but the secret rapture of four increasingly sublime slow movements welcoming us in from the Victorian colosseum's vasts.

Stoppard returns to TV

After a 20-year absence from British TV, Sir Tom Stoppard returns to the small screen next year with his five-part adaptation of Ford Madox Ford's novel, Parade's End, on BBC Two. When the BBC approached Stoppard (pictured) with the idea two years ago, he had never read the book, but says that it "has been my preoccupation since then. The title covers a quartet of books set among the upper class in Edwardian England, mostly from 1911 to the end of the Great War."

Scottish Chamber Orchestra, Boyd, Royal Albert Hall

Blithe Dvořák and Mozart serenades in late-night tribute to Sir Charles Mackerras

The banquet's laid, the host is absent but the guests can still relish the first-class fare in his memory. Sir Charles Mackerras was perhaps looking down happily in the company of Mozart and Dvořák as another oboist-turned-conductor like himself, Douglas Boyd, put his beloved Scottish Chamber Orchestra players buoyantly through their paces. The special late-night Prom, the second we wish he'd lived long enough to conduct, was one Mackerras had planned so carefully as a serenading double bill especially close to his heart. Our late maestro couldn't have wished for anything more blithe as a cheerful salute.

BBC Proms 2010: theartsdesk recommends...

Our music writers mark their cards for the greatest classical show on Earth

It's that time again. The BBC Proms - in classical music terms, the greatest show on Earth - begin tonight with Mahler's massive Eighth Symphony. From Bryn Terfel in Wagner on the second night of the Proms to Sir John Eliot Gardiner and Monteverdi's Vespers on the second-to-last night. theartsdesk's music writers choose the performances they're looking forward to.

 

What Makes a Great Tenor? BBC Four

Rolando Villazón explores the allure of opera's leading men

The BBC's opera season is a great idea, even if the results have been variable. Plaudits for Antonio Pappano's zinging Opera Italia must be weighed against a barrage of rotting fruit for Diva Diaries, a farcical extended commercial for soprano Danielle de Niese. And while Stephen Fry is the unsurpassed master of plugging Twitter and iPads, his claimed passion for Wagner doesn't seem to have inspired illuminating insights, let alone any decent jokes.

Modern Masters: Warhol, BBC One

Did Andy Warhol change the world? An art critic dons an Andy-suit to find out

I wondered how long it would be before Andy Warhol’s "15 minute" quote came up. From the whizzy, flash-bang opening credits  I knew it wouldn’t be long. I was right: but less than seven minutes? Less than five?  I didn’t time it, since I was still somewhat mesmerised by the sight of perky presenter Alastair Sooke doing a kind of disco-dancey, pointy-arm manoeuvre in front of  Picasso’s Les Demoiselles d’Avignon during the intro. (Oh no,  Alastair, I wanted to cry, you can’t out-cool Andy, so don’t even try.)

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