The most notorious case of the BBC banning a pop record was the episode of the Sex Pistols' "God Save the Queen" in 1977, which was of course the year of Her Maj's Silver Jubilee. "That was genuinely dangerous," Paul Morley intoned gravely (the record that is, rather than its banning), though as with several of the cases examined here, this one wasn't quite as open and shut as it seemed.

Here at theartsdesk we still receive the occasional missive from readers on several continents incensed at the BBC's axing of Zen in February 2011, a decision taken by then-controller of BBC One Danny Cohen. Zen didn't get a mention in Cohen's article in Wednesday's Times, entitled "Never mind the box-set brigade, let's celebrate British drama", but he managed to plug plenty of more recent BBC drama productions (and a couple from ITV, in a token attempt at even-handedness).

The first bit of the annual Proms ritual is now out of the way, with the publication of the brochure. The next step is at 9am on Saturday 17 May when thousands of people prepare to do simultaneous battle with the Royal Albert Hall's online booking system. We can't help you jump the queue but we can help you make your mind up.

No definitive answers to what was "the best" of 2013 of course, and I daresay opinions will differ wildly. For instance, despite the plaudits showered on it elsewhere, I felt that Broadchurch stretched itself too thin after showing initial promise. An increasingly acute allergy to serial killer dramas meant I couldn't get too involved with Tony Grisoni's Southcliffe, let alone The Fall, with its extended, voyeuristic murder scenes.

David Coleman never said, "Juantorena opens his legs and shows his class," any more than Queen Victoria said, "We are not amused." The words belonged to Ron Pickering, but Private Eye got it wrong. The chances are that Coleman, who has died at the age of 87, was not amused. A lot of people were, however. Who knows how much damage that one mis-attribution did, how much it contributed to the image crisis that Coleman put up with for so many years?

In the past weeks there has been a frenzy of publicity about the timelessness of a Time Lord. Through sundry incarnations (and one sizeable moratorium), Doctor Who has been on television screens for 50 years. But it's by no means the only show possessing what a football pundit once called stickability. In this edition of Listed, we celebrate the shows which have been knocking around for what feels like forever, nearly half of them for even longer than the good Doctor.

BBC Radiophonic Workshop: BBC Radiophonic Music / The Radiophonic Workshop

Fall of Eagles, a 13-part series which combines history and lavish costume drama, was first broadcast in the same year as The World at War. But while one continues to be seen as landmark television 40 years after it hit our small screens, I vouch that few have heard of the BBC's Fall of Eagles. Both productions at any rate testify to a time when broadcasters were not afraid of length (Simon Schama’s The Story of the Jews, currently on BBC Two, seems to defy what has become the usual three-part BBC format with its five episodes).

I bought a new car recently, but by the end of The Route Masters (***) I was feeling a powerful inclination to sell it. The film would have rung a masochistic bell with anybody accustomed to trying to travel round London on a regular basis, and the soundbite claiming that the average speed of the city's rush hour traffic is 9mph sounded like a wild exaggeration.

British film noir followed two courses in the 1980s. Whereas the American neo-noir revival of the 1970s prompted such contemporary crime thrillers as The Long Good Friday, Mona Lisa, and Stormy Monday, three superior BBC drama serials, though also neo-noirs, drew more rigorously on Hollywood’s classic noir era.