Yes, she sang, with her trademark artistry from the very first notes – four numbers, including a duet with daughter Jacqui Dankworth, and all in close partnership with her consummate players, including son Alec on double bass.

When a 49-year-old Welsh jazz’n’folk singer decides to make it her business to cover songs ranging from Drake’s “Hotline Bling” to Justin Timberlake’s “Can’t Stop the Feeling”, most people’s immediate reaction would be to advise her to leave well alone. I’d be with them. However, despite some real no-no’s contained in Judith Owen’s new album, there’s also fun to be had.

Take a first, passing glance at the debut album from Hailey Tuck and she could be mistaken for Katy Perry, done up in florid new image finery. The Texas-born, Paris-living 27 year old, however, on further inspection (and, more to the point, on listening), is nothing like that pop superstar.

From Bach to the Beach Boys in three months. Though the right side of 50, pianist and bandleader Brad Mehldau has released 35 albums in over 25 years. In the Nineties, as a twenty-something, he recorded a five-volume series of albums with the title Art of the Trio. Today, he’s probably the best-known improvising pianist after Keith Jarrett. No one can accuse him of a lack of ambition or confidence. On the evidence here, it’s born of a great inspiration and gift.

As the ice hardened in the Cold War of the mid-1950s, and the USSR mocked the USA for both its supposed barbarism and racial segregation, the representative from Harlem, Adam Clayton Powell Jr, had a bright idea. Instead of competing in the cultural heats of the Cold War on Soviet strengths of classical music and ballet, why not bring the world that quintessentially, originally American art form, jazz?

Perfectly Unhappy’s sixth track makes the album’s case. Until this point, Andy Sheppard’s playing has largely gone with the flow; working through and around the melodies pianist Espen Eriksen has composed for his trio’s first recorded collaboration with the British saxophonist. A minute 20 seconds into “Naked Trees”, the double bass comes to the fore. Then, after another 55 seconds, Sheppard begins playing with a free-flowing sinuousness and spontaneity which wasn’t previously apparent.

Hosted by Jazz FM presenters Chris Philips and Jez Nelson on UNESCO’s International Jazz Day, rising stars and international icons were honoured at the fifth Jazz FM Awards on Monday night.

Van Morrison has always been drawn as much to jazz as anything else. There is a natural swing to his voice, and his phrasing, melisma and familiar vocal mannerisms have always suited the medium well, from early excursions on Astral Weeks, through the jazzy feel of "Moondance" and his most recent albums.

Record Store Day 2018 – Saturday April 21 – is upon us. It should really be Record Shop Day 2018 as this is the UK but let’s not quibble. Instead, put aside cynicism about major labels cashing in, wander down to the nearest record shop – and, happily, new record shops are starting to pop up a lot lately – then rifle through the racks. Below are the releases that reached theartsdesk on Vinyl, quite a few of them rare as hens’ teeth.

Over 30 years after he made his debut as a solo artist, woodwind multi-instrumentalist Courtney Pine is still Britain’s most prominent and influential jazz musician. He had a crucial role in reviving interest in jazz in the 1980s and 1990s, and has been an important role model for black British musicians.