Jazz FM’s Ian Shaw will host the inaugural Jazz FM Music Awards on Thursday 31 January. Sponsored by audio pioneers Klipsch, piano legends Ramsey Lewis and Ahmad Jamal will both be honoured during the evening. Lewis will receive the Gold Award for Outstanding Contribution to Jazz, while Jamal will collect the Lifetime Achievement award. Both artists are due to perform on the night, with Jamal's closing set featuring a "surprise collaboration".

On this debut album for Blue Note, Brooklyn-based singer-songwriter José James effortlessly blends the beat-driven mien of hip-hop, the surprising transitions of jazz and the raw emotion of classic R&B to produce his strongest statement to date. Following three critically acclaimed albums for the Brownswood and Verve labels, James seems to have discovered the key to making the simple resonate.

Santa has returned home, but he wasn’t the season’s only visitor from the Nordic lands. The crop of recent music in from the region embraces genre-crossing jazz, vintage-style rock, the expected electropop, cross-border collaborations and a seven-year-old Finn. Exploring all corners of Scandinavia’s music, theartsdesk journeys where no one else does, landing in Norway first for some finely formed jazz.

Broadcast: Berberian Sound Studio Original Soundtrack

Can’s The Lost Tapes towers over any of the other reissues theartsdesk has covered this year. Although not strictly a reissue – it collected unheard recordings from tapes which had lain in the band’s archive – it rewrote the story of the seminal German band, offering a new perspective on their creative process and what they had issued. More than any of this, its three discs were a great listen and as essential as any of their albums - Soundtracks, Tago Mago and Future Days.

On Sailing to Byzantium Christine Tobin's utterly singular music fuses with the amaranthine force of WB Yeats's poetry to create one of the most transporting jazz releases in aeons. From the iridescent colours of “The Wild Swans at Coole” and the statuesque tranquility of the title track, to the subtly ornamented melodic line of “The Song of Wandering Aengus” and the deeply poignant “Long-legged Fly”, the album's unique sound-world and intense depth of feeling completely seduce the senses.

Herbert: Bodily Functions (Special Edition)

Thomas H Green

Two years ago, I spoke to Dave Brubeck just before his 90th birthday. The occasion was being commemorated by a film executive-produced by Clint Eastwood, Dave Brubeck - In His Own Sweet Way, which was aired on BBC Four as one of several broadcast tributes to Brubeck's unflagging creativity over more than six decades. Brubeck himself, a trouper to his toes, was about to celebrate Thanksgiving with a string of performances at the Blue Note jazz club in New York, despite having had a pacemaker fitted a few weeks earlier.

In 2009 I interviewed Jamie Cullum about Dave Brubeck, who has died today just a day before his 92nd birthday. What follows are Cullum's recollections of falling in love with Brubeck's music, and later knowing and working with a jazz legend.

"My parents weren’t into jazz at all, but my dad did have a tape of Dave Brubeck and, as most people did, loved "Take Five". I heard that in the car long before my jazz awakening through Herbie Hancock and the Headhunters and In A Silent Way - swampy, odd music. Dave was on my radar long before that.

It might have looked good on paper; the best of Bryan Ferry revisited in a 1920s swing jazz style. But in practice, rather than reveal previously unrecognised properties of some of the most haunting and original pop/rock songs of the late 20^th century, subtracting the vocals and placing them in an early 20^th century context simply eviscerates them of their uniqueness and power.