Bowling For Soup are celebrating their iconic album, A Hangover You Don’t Deserve, on a fun-filled, energetic tour for its 20^th anniversary. Their sold out stop at Wolverhampton’s Civic Hall was a joy to experience from start to finish, the light-hearted essence of the band evident from the minute we walked in. From comical merch to on-stage banter, the fun was infectious and made for a special evening executed by clear well-seasoned professionals.  

On its own, the second session The Lurkers recorded for the BBC’s John Peel show on 18 April 1978 is arguably a curio, a footnote. Four tracks of bracingly straight-ahead Brit-punk with a headstrong freshness undiminished by time. But whatever the impact, The Lurkers were never a main-agenda band, and the Peel session was an adjunct to their discography.

We live in tragic times given over to cataclysmic events that require outsized emotions in return. That may be one reason to account for the uptick, therefore, in Greek drama, which includes not one but two Oedipi, various adaptations of Antigone, and the arrival on the commercial West End of the obvious companion piece to Oedipus, namely Elektra – the K in the title perhaps nodding to a landscape in which people exist to kill. 

VINYL OF THE MONTH

Buñuel Mansuetude (Skin Graft/Overdrive)

“A band you’re gonna like, whether you like it or not.” The proclamation in the press ads for the New York Dolls’ debut album acknowledged they were a hard sell.

The utopian messiness of 1990s dance music culture is now so far back in time that what remains, for those under 40, is an idea, a meta myth. It is one that ALT BLK ERA embrace. Where the Nineties was a smorgasbord of futurism, vanguard electronic exploration and hedonic madness, the excellently titled debut album Rave Immortal reimagines it through the prism of catchy TikTok snippets and rampant rock punch.

Of the big UK indie bands of the 00s wave, Bloc Party were always the most austerely art-rockish. Where Arctic Monkeys, Klaxons, Franz Ferdinand all to some degree or other had a dose of the vaudevillian and a bit of party “woohoo!”, BP adhered way more to the seriousness, alienation and introspection of their post-punk inspirations.

Phoebe Lunny and Lilly Macieira are furious. Livid with the rapist cops, sleazy men, gentrifying landlords, nepo babies and, to be fair, a significant chunk of mainstream society.

Props designed like flowers were scattered across the QMU stage for English Teacher's performance. A fitting choice given the Leeds group are evidently in full bloom these days, with an upgraded venue in Glasgow due to demand and, of course, a Mercury Music Prize collected along the way for debut album “This Could Be Texas”. 

“Let's walk down memory lane the Magazine way. Let's regurgitate fifth-rate Low [the David Bowie album] period pieces. Let's plonk plonk plonk with ponderous sub-Pink Floydery. Let's do the wallpaper waltz. This is not pushing back the barriers. It's frighteningly bland conservatism.”