Alarm bells start ringing whenever you discover an author is adapting their own work for a screenplay. In the case of New Zealand novelist Eleanor Catton, the alarm proves to be false. 

The master of crowd-pleasing comedy, Judd Apatow, returns with another on-brand tale of arrested development with The King of Staten Island. While it's near his signature anarchic charm, this comedy-drama shows that even a veteran director/writer/producer like Apatow has room for growth. 

It’s impossible to deny the sincerity with which Todd Robinson has approached the true story of William H. Pitsenbarger, a US Air Force Pararescueman who was killed in action while rescuing over 60 injured soldiers during one of the bloodiest conflicts in the Vietnam war. 

Nisha Ganatra’s musical dramedy, penned by first time screenwriter Flora Greeson, isn’t going to win any prizes for originality and is almost unforgivably corny. But the feel-good vibes and winning combination of Tracee Ellis Ross and Dakota Johnson are still likely to win audiences over.

Like Rams before it, the ice-glazed hillsides and stark ochre grasslands of northern Iceland are the backdrop for Grímur Hákonarson’s third feature The County, a rural drama that explores the murkier side of local politics.

During lockdown, some of the best online theatre has been shows that are specially created for this digital format. Much better than dull records of dramas that might have worked well on stage, but now seem sadly moribund and exceedingly slow on the laptop screen.

Romanian filmmaker Corneliu Porumboiu has made a career crafting perceptive and cerebral examinations of his native country. From his 2006 debut 12:08 to Bucharest to The Treasure, they were cerebral films that powerfully embodied the Romanian New Wave. 

Curling could be an enigmatic contemporary noir, but for the fact that it was made in the depths of winter in rural Quebec. Shades of brilliant white and murky grey predominate, as witnessed in an early sequence where Jean-François and his 12-year old daughter Julyvonne trudge home from an optician’s appointment along a windswept snowy road.

Harvey Weinstein is never mentioned in The Assistant, but the former movie mogul and convicted rapist looms large over this savagely relevant drama, which offers a vivid picture of what life might have been like for every one of the employees – male as well as female, victim or no – trapped in Weinstein’s evil little world. 

Sally Rooney’s 2018 novel, which was long-listed for the Man Booker Prize, was a psychologically rich, emotive journey into the psyches of two Irish teenagers who fall in love. Only two years on from publication, it has been turned into a 12-part series from the BBC and Hulu.