As if penguins didn’t have enough to fret about with impending tariffs on exporting guano to America, here comes Steve Coogan to ruffle their feathers. The Penguin Lessons is a pretty loose adaptation of a memoir by Tom Michell, about his stint as a young English teacher in an ersatz British boarding school in Argentina.

It’s 2012 and the London Olympics might as well be happening on the Moon for Jen and Stacey. In fact, you could say the same for everyone else scrabbling a living in Bradford – or anywhere north of Watford – and we know what those left-behind places did when presented with a ballot box in 2016 and 2019.

Adults, Traverse Theatre ★★★

Margaret Simon (a brilliant Abby Ryder Fortson) is 11. What she wants above all is to be “normal and regular like everyone else”. This means getting her period at the right time – “I’d die if I didn’t get it till I was 16,” she tells her mother (Rachel McAdams) – and filling out her Gro-Bra. An only child, she makes God her confidant and asks him to help.

“We all make history, one way or another.” But some of us make more history than others, and a group of 27 English schoolboys who got lost in Southern Germany in 1936 haven’t made much, unfortunately.

Do you happily binge four hours of mind-candy TV in one sitting? Alecky Blythe’s latest verbatim play, Our Generation – which runs for 3hr 45min at the Dorfman space of the National Theatre – might take almost as long but will probably be much more rewarding.

“You could read at home,” says Bettina (Anoushka Chadha), Year 10, her school uniform perfectly pressed, hair neatly styled. “You could be an annoying little shit at home,” retorts her sister Asha (Safiyya Ingar), Year 13, all fire and fury in Doc Martens and rainbow headphones.

Mieko Kawakami sits firmly amongst the Japanese literati for her sharp and pensive depictions of life in contemporary Japan. Since the translation of Breasts and Eggs (2020), she has also become somewhat of an indie fiction icon in the UK, with her books receiving praise from Naoise Dolan, An Yu and Olivia Sudjic.

The website of the National Crime Agency offers the following definition of County Lines: “[it is] where illegal drugs are transported from one area to another, often across police and local authority boundaries (although not exclusively), usually by children or vulnerable people who are coerced into it by gangs.

“They always try to break you down when you’re 17,” says queen bee Selah (Lovie Simone) in Tayarisha Poe’s impressive directorial debut. As leader of the Spades, one of the five Mafia-style ruling factions in the exclusive Haldwell boarding-school in Pennsylvania, Selah, with her waist-long braids and inscrutably cool managerial style, seems unbreakable. But not so fast. Here comes new girl Paloma (Celeste O’Connor), her sweet-faced nemesis.