Rites: 3D, CBSO, Volkov, Royal Festival Hall
Digital ingenuity with Stravinsky's Rite of Spring isn't same as theatre artistry
Were the great Diaghilev alive today, surely he’d be working in the imaginative possibilities of electronic technology - this was the opinion given me by the arts panjandrum, the late Sir John Drummond. And given the developments of 3D, who knows? Would it be this manipulation of our perceptions that fascinated him? 3D is certainly everywhere in dance now, though the challenge is to leap the judgment of it as merely a gimmick. I reckon while Wim Wenders’ film Pina 3D achieved that, the version of Stravinsky’s Rite of Spring by Klaus Obermaier doesn’t.
As the glorious parade of British orchestras at the Proms has showcased, it's never been a better time for the native music scene across the board. Now the City of Birmingham Symphony Orchestra, currently enjoying a honeymoon period with its Music Director of two seasons Andris Nelsons, has taken another step towards consolidating its post-Rattle reputation. Edward Gardner (pictured above in ENO rehearsal by Chris Christodoulou), currently doing wonderful things at English National Opera, is to take up the post of Principal Guest Conductor in September 2011.