Rites: 3D, CBSO, Volkov, Royal Festival Hall

Mach 2: The virtual Julia Mach, generated in a 3D computer digital space to Stravinsky's 'Rite of Spring'

Digital ingenuity with Stravinsky's Rite of Spring isn't same as theatre artistry

Were the great Diaghilev alive today, surely he’d be working in the imaginative possibilities of electronic technology - this was the opinion given me by the arts panjandrum, the late Sir John Drummond. And given the developments of 3D, who knows? Would it be this manipulation of our perceptions that fascinated him? 3D is certainly everywhere in dance now, though the challenge is to leap the judgment of it as merely a gimmick. I reckon while Wim Wenders’ film Pina 3D achieved that, the version of Stravinsky’s Rite of Spring by Klaus Obermaier doesn’t.

Birmingham Contemporary Music Group, CBSO Centre, Birmingham

Tansy Davies: Like an over-stimulated teenager who has learnt how far one can go too far

A nostalgic evening of avant-garde music that harks back to the Seventies

The Birmingham Contemporary Music Group does star concerts, which fill (or nearly) the CBSO Centre; and they do old-fashioned New Music concerts, which don’t quite empty it, but leave one wondering who exactly – if anyone - some of the works being played are intended to reach. Their latest offering was of this latter kind. The performers came and went, the audience clapped politely, the electric keyboard went wrong, luckily near the start of Enno Poppe’s Salz, so that we didn’t have to hear too much of it twice. The instrumentalists, brilliant players as one knows, communed with some pretty impenetrable material, “explained” by programme notes rich in imagery and gobbledy-gook. It was like being back in the Seventies: even quite a nostalgic afternoon, in its way.

The cuts are coming. So what now?

The next cut is the deepest: scene from The Texas Chainsaw Massacre

Members of the artistic communities have been campaigning for weeks now against the imminent cuts in the subsidies given to the arts (see David Shrigley’s clever video here). All arts organisations have been told, in the latest money-saving initiative, to rewrite their budgets with a 10 per cent cut in their Arts Council grant. These are the lucky ones – the Arts Council has indicated that some bodies will have their entire grant removed.

Edward Gardner: another live wire for Birmingham

ENO conductor moves to CBSO

image.phpAs the glorious parade of British orchestras at the Proms has showcased, it's never been a better time for the native music scene across the board. Now the City of Birmingham Symphony Orchestra, currently enjoying a honeymoon period with its Music Director of two seasons Andris Nelsons, has taken another step towards consolidating its post-Rattle reputation. Edward Gardner (pictured above in ENO rehearsal by Chris Christodoulou), currently doing wonderful things at English National Opera, is to take up the post of Principal Guest Conductor in September 2011.

CBSO, Nelsons, Symphony Hall Birmingham

Birmingham's third world-class conductor scales the heights

Yes, he can make the music smile when it needs to as much as he does himself. Had we but cash enough and time, many of us Londoners would travel more often to witness what further heights young Latvian Andris Nelsons can persuade the already world-class City of Birmingham Symphony Orchestra to scale.