Tom Hooper’s freakily phantasmagoric visualisation of an already strange West End smash is a high-wire act risking the sniggers which greeted its trailer. And yet it never falls, sustaining a subtly hallucinatory, wholly theatrical reality. Doubling down on the bizarre unlikelihood of Andrew Lloyd Webber’s original adaptation of T.S.

Who knew? This West End premiere of the 2007 Broadway entry from the legendary songwriting team of John Kander and Fred Ebb (Chicago, Cabaret) secured a prime holiday-season slot at the last minute when this playhouse's previous entry, The Man in the White Suit, closed prematurely.

There’s slight (White Christmas, to name but one) and then there’s The Boy Friend, a period musical so unabashedly vaporous that if you sneeze, it might blow away.

Frozen is possibly the most beloved Disney movie since the studio rediscovered its mojo in the 1990s. While picking up a couple of Oscars and laying waste to box office records, it had young girls immersing themselves in favourite characters and performing the songs on a dime.

Aladdin, Prince Edward Theatre ★★★ Disney's latest blockbuster film-turned-stage show remains airborne – just

Come From Away, Phoenix Theatre ★★★★ 9/11-themed musical crosses the Atlantic, capacious heart intact

Steven Levenson, Benj Pasek and Justin Paul’s Tony and Grammy Award-winning musical Dear Evan Hansen is an institution in the States, running on Broadway since 2016 and currently on its second year of a national tour.

It’s been 15 years since Cameron Mackintosh’s stage musical version of P. L. Travers’ Mary Poppins made its West End debut.

London’s latest new theatre opens with an appropriately otherworldly Halloween offering: American composer Dave Malloy’s teeming 2014 song cycle, which played at the Edinburgh Festival in 2016.

“Every now and then the country goes a little wrong”: so goes one of the many lyrics from the Stephen Sondheim-John Weidman musical Assassins that makes this 1990 Off Broadway musical (subsequently chosen to open Sam Mendes’ Donmar Warehouse in 1992) a piece of theatre very much for our time. Some shows need textual tweaking when they come around again but not this one.