Edinburgh International Festival 2019 review: Total Immediate Collective Imminent Terrestrial Salvation

★★★★ EDINBURGH FESTIVAL: TOTAL IMMEDIATE COLLECTIVE IMMINENT TERRESTRIAL SALVATION Messianic devotion and audience complicity in a slippery new work from Tim Crouch

Messianic devotion and audience complicity in a slippery new work from Tim Crouch

It’s the end of the world as we know it. At least according to Miles, scientist turned messiah, who lost his son in an accident at a frozen lake, and who experienced visions of an impending apocalypse in his subsequent coma.

He’s established a colony of believers (let’s not call it a cult) in South America, and we’re here to bear witness to the arrival of his estranged wife, intent on reclaiming their daughter back to civilisation.

Edinburgh International Festival 2019 review: Roots

★★★★ ROOTS Captivating and macabre, 1927's new show marks a partial return to their own origins

Captivating and macabre, 1927's new show marks a partial return to their own origins

A fat cat who gobbles up everything in sight. A king who tests his wife’s fidelity with increasingly horrific trials. A man whose flatmate is Poverty. It’s hard to ignore the scathing contemporary resonances in theatre company 1927’s sly, witty new Roots, getting its first European performances at the Edinburgh International Festival.

theartsdesk in Oslo: Øya Festival 2019 review

A musical communion in Norway’s capital

The timing seemed odd. Sigrid is internationally successful. She’s Norway’s highest-profile musical ambassador since a-ha. Yet instead of headlining at 2019’s Øya Festival, she hits the stage at 6.45. Has she been demoted in favour of Tame Impala, who are given the final slot at 9.30?

Edinburgh Fringe 2019 review: Birth

Ravishing physical theatre on the beginnings of life from Theatre Re

Physical theatre company Theatre Re are virtually Fringe royalty these days, with a several-year history of fine shows under their belts, plus success internationally and at the London Mime Festival.

Edinburgh Fringe 2019 review: Crocodile Fever

Pantomime excess in Meghan Tyler's wild but unconvincing new comedy

Chekhov famously pronounced that if you’re going to bring a gun on stage, you’ve got to use it. Is the same true for a chainsaw? To discover the answer, just head along to Meghan Tyler’s wild, over-the-top, gruesome Crocodile Fever at the Traverse Theatre.

Wilderness Festival 2019 review - marvellous misbehaviour

★★★★★ WILDERNESS FESTIVAL Luxury lifestyle festival full of jolly good shows

A luxury lifestyle festival full of jolly good shows

The thing about Wilderness is that it’s just so jolly decent. Acres of decadence, sprawled safely over the yawning magnificence of Cornbury Park, Oxfordshire, combine to create a scintillating country fair reverie – a heady mix of good music, high end food, luxury outdoorsyness and companionable folk.