It’s hard to take The Old Guard seriously — it’s an action film about thousand-year-old immortal warriors. Pulpy flashbacks and fake blood abounds. But The Old Guard doesn’t need to be serious or even memorable: it’s a fun, feel-good film, a rare commodity these days.

It’s taken over 18 years for Artemis Fowl to reach the big screen, with Miramax originally buying the rights in 2001. Finally, Disney have brought the world’s youngest criminal mastermind to life, but was it worth the wait? Well, the fact it’s appearing on streaming service Disney+ rather than waiting for a cinematic release probably answers that question.

The Thousand Eyes of Dr Mabuse (1960) was Fritz Lang’s final film, resurrecting his Weimar villain in Cold War Berlin and forming a satisfying circle with his career’s German first half, which included Metropolis and M.

John Grisham is a brand, in the sense that the reader relies on some sense of what the product is going to be. He is well up in the millions of sales, along with other writers under the “thriller/mystery” umbrella – Michael Connelly, David Baldacci, Ken Follett and Harlan Coben, to name but four. Still, as eagerly as his fans may await their yearly fix, he always manages to surprise.

Since it debuted in November last year, Apple TV+ has barely made a dent in a market largely shaped by Netflix, but this eight-part adaptation of William Landay’s bestselling novel is a decisive step in the right direction.

Romanian filmmaker Corneliu Porumboiu has made a career crafting perceptive and cerebral examinations of his native country. From his 2006 debut 12:08 to Bucharest to The Treasure, they were cerebral films that powerfully embodied the Romanian New Wave. 

Between 1972-1992 five series of Van der Valk were made for ITV, starring Barry Foster as the eponymous Amsterdam detective. Nearly 30 years later comes this reincarnation with Marc Warren in the title role, no doubt hoping to find a regular home in the juicy two-hour Sunday night slot.

You might consider equipping yourself with a shotgun and kevlar body armour before you start watching Gangs of London (Sky Atlantic), because this is a bruising, hair-raising ride. Created by Gareth Evans and Matt Flannery, it began with the televisual equivalent of being thrown from a fast-moving vehicle, as we saw a terrified man dangling on a rope over the edge of a high-rise building.

A camel is a horse designed by committee, they say; perhaps that explains why The Host, with several writing credits – adapted by Zachary Weckstein from a story by Laurence Lamers, screenplay by Finola Geraghty, Brendan Bishop and Lamers – doesn't really know what it is.

“They say we all have a beast locked up inside of us,” a character observes early in this Korean crime movie. Monsters are certainly chewing at the moral fibre of police captains Jung (Lee Sung-min) and Han (Yoo Jae-myung) as they corruptly pursue promotion.