And welcome back to our favourite French cop show – perhaps our favourite cop show from anywhere, in fact – which has raced into its seventh series (on BBC Four) with some typically grimy storylines about death and lowlife in a very de-romanticised Paris. If you catch a glimpse of landmarks like the Eiffel Tower, it’s only in the far distance across drab expanses of rain-soaked rooftops.

Well here’s an interesting one. We’ve been up to our eyebrows in Eurocops for the past few years, but this Anglo-Japanese fusion from BBC Two (the title translates as "Duty / Shame") feels strikingly fresh and different.

Lucy Lawless achieved cult status in the Nineties fantasy classic Xena: Warrior Princess, and later became a regular in such disparate creations as Battlestar Galactica and Parks and Recreation. In My Life is Murder, she joins the ever-expanding ranks of TV ‘tecs as Melbourne-based investigator Alexa Crowe.

“It’s nice to make money – lots of money,” said Michel Cohen, former high-flying New York art dealer turned debtor, jailbird and fugitive. He made oodles of the stuff and then lost it all, leaving a string of wealthy art collectors and galleries to lick their wounds over the colossal debts he never repaid.

Connoisseurs of gnarly Boston-based crime sagas like The Town, The Departed and Black Mass will quickly find themselves at home in this sleaze-ridden new show, made by Showtime and brought to us by Sky Atlantic.

Three women decide to take over their husbands’ criminal activities, proving more than a match for the men who dominate the underworld. If this outline of The Kitchen sounds familiar, it’s because it was just last year that Steve McQueen’s lauded crime thriller Widows had much the same premise.

If it wasn’t for bad luck, Pete Koslow (Joel Kinnaman) wouldn’t have any luck at all. Being an Iraq special forces veteran jailed for protecting his wife in a bar fight seems wretched karma enough.

This is how Steven Knight pictured Peaky Blinders when he first set about creating it. “I was very keen not to do a traditional British period drama, especially where it comes to depictions of working class people. Where the impulse is to say ‘it’s a shame, it’s a pity, isn’t it awful, wasn’t everything terrible for women’.

Life on the Welsh coast isn’t getting any easier: defendant Madlen was found guilty of murder, husband Evan was coming home from prison, and Faith had just given Steve Baldini a rather uncomfortable snog on the beach. She’s probably pining for that first series now, at least the hubby was out of the picture.

Who’d have thought a play about a homophobic hate crime could be so much fun? Well, maybe that’s overstating things a little.