Folklore tends to depict Dublin as a convivial and picturesque city, with a bar on every corner full of revellers on wild stag weekends, but that’s not what we find in Kin. This is a chilly, menacing Dublin, full of modern but charmless architecture and gripped by organised crime.
It was as long ago as January last year that the prolific Williams brothers, Jack and Harry, delivered their absorbing Australian Outback thriller The Tourist. Hitherto, product seemed to have been pouring out of them almost hourly, whether it was Liar, The Missing and Baptiste or The Widow, Rellik and Angela Black.
The question they’re all asking is, can Shetland survive the loss of Douglas Henshall as DI Jimmy Perez? After all, it was Henshall’s shrewd and quietly anguished performance which gave the show much of its allure. And now there’s no Mark Bonnar either, who could always be relied on to add a soupçon of angst.
The day after I saw the show, as went about the mundanities of domestic life, I wondered how long it would take to come across a reference to 1984. My best bet was listening to an LBC phone-in concerning next week’s conference at Bletchley Park on Artificial Intelligence, but the advertising break intervened, so I switched to Times Radio.
A dystopian present. Sirens ring out across the city. Firefighters rush to the wrong locations. A man insists on entry to a big house.
He’s not selling anything, so he can’t be an arsonist can he? His friend turns up and she’s pretty upfront about her intentions – and the barrels of petrol in the attic rather give the game away. But the wealthy homeowner, so ruthless at work, is so polite at home, the coming conflagration all but accepted as a matter of… manners, social convention, apathy?
Jenna Coleman has had a mostly upbeat acting CV to date, notably playing Clara in Doctor Who and the young Queen in ITV’s Victoria. The mood darkened with her excellent turn as the French-Canadian girlfriend of the mass murderer in The Serpent; now it turns to pitch with Wilderness.
One thing we know for sure about Erin Carter is that she’s played by Swedish-Kurdish actor Evin Ahmad, and it’s clear right from the start that she’s a woman with a complicated past which she’s trying to run away from. But you’ll have to get to episode four before the mysteries start to unwind themselves.
Optimistically billed as John Travolta’s comeback, writer-director Nicholas Maggio’s debut is an effective Southern noir, with Travolta an authoritative but peripheral presence.
This five-part policier is the finale of the current Walter Presents French season, and takes us to the town of Montclair on France’s eastern border. The opening self-contained episode, occupying a chunky two-hour slot, took for its theme the legend of the Pied Piper. In this, you may recall, the children of Hamelin were lured away by the titular itinerant musician and drowned.