If you compiled a list of favourite TV series from the last couple of decades, you’d find that Zoë Telford has appeared in most of them. The Thick of It, Foyle’s War, Ashes to Ashes, Sherlock, Silent Witness, Unforgotten, Death in Paradise, Grantchester, Vera… they all appear on her on CV, with many more besides.

Following on from the first series of Malpractice in 2023, this second season again probes into issues of medical malfeasance and institutional corruption, in an environment where patient care frequently comes second to internal politics and self-preservation. The protagonist first time around was Niamh Algar’s Dr Lucinda Edwards, but this time it’s Tom Hughes as Dr James Ford, who works as a psychiatric registrar at the fictional Queen Mother’s University Hospital.

The art of the conman is persuading their victim to fool themselves, which is the premise that lies at the core of this Australian drama series. 

If nothing else, ITV’s new thriller Out There is a fabulous advertisement for the Welsh countryside. Many scenes were shot in Brecon and the Black Mountains, amid acres of wild, rambling moorland and majestic hillsides. But it’s not always a happy place. Here, farmer Nathan Williams (Martin Clunes) is trying to hang on to his family business, but profits are low, overheads are high, and the recently widowed Nathan isn’t as young as he used to be.

They say cinema is dying (you never know, they may be wrong), but you can’t help noticing the stampede of movie stars towards TV and streaming. Many of 2024’s most memorable shows had a big-screen name attached, even if it was impossible to be entirely certain that it really was Colin Farrell inside all those prosthetics as he romped his way through the gripping second season of The Penguin (Sky Atlantic).

The latest true-crime adaptation about a murderous man and his female victims turns its star into a bloody mess on a hospital table, her vital signs flatlining. And that’s just halfway through, with two episodes to go. 

If you’re looking for an advertisement for how crime doesn’t pay, Joan will do very nicely. Written by Anna Symon, this six-part series is based on the memoirs of real-life jewel thief Joan Hannington, whose light-fingered accomplishments earned her notoriety back in the Eighties. Some apparently referred to her as “The Godmother”, though they don’t here.

Aircraft hijacking is a ghoulishly popular theme in films and TV, but Red Eye brings a slightly different twist to the perils of air travel. This time, North China Air’s Flight 357, from London to Beijing, hasn’t been hijacked, but it has become the scene of a string of inexplicable murders, carried out by unknown assassin(s) as it cruises at 40,000 feet.

The screenwriting debut of actor Andrew Buchan, Passenger ends up resembling a bunch of ingredients looking for a cake. While characters come out with such meta-observations as “this isn’t Twin Peaks” and “this isn’t Broadchurch” – Buchan having been one of the stars of Broadchurch – Passenger contains echoes of both of them, and rather louder ones of Happy Valley.

There isn’t a troupe officially called the Worshipful Company of British Character Actors, but there probably should be, given the sterling service it does for the nation, acting in prestige TV dramas based on real events. Toby Jones and Monica Dolan regularly top the bill in this genre, as they do in ITV’s Mr Bates vs The Post Office.