“If you’re going to do it, do it well” goes a chanted refrain in the opening title track here. And it’s words Jessie Ware clearly lives by – she is not someone who has time to do anything rubbish.
The Oslo World organisers are at pains to point out that, despite the name, they are not a “world music” festival. And with good reason, really. There may have been a few familiar WOMAD veterans headlining over the week-long event – Senegal’s Youssou N’Dour, Malie's Fatoumata Diawara, the queen of Cuba Omara Portuondo – but the emphasis was emphatically not on any kind of beads-and-bongoes authenticity.
Daniel Hahn began his translation of Jamás el fuego nunca, a novel by experimental Chilean artist Diamela Eltit, in January 2021. Considering the careful, difficult but not impossible “craft” of translation as he worked, Hahn kept a diary, describing the “discrete choices” made during the process of writing Never Did the Fire: an English version of Eltit’s original with Hahn’s “fingerprints” all over it.
The global popularity of Latin music in the past few years is almost incomprehensibly huge. 2017’s “Despacito” by Puerto Rican Luis Fonsi was the point where it became clear that Latin America – like South Korea – was now operating entirely on its own pop terms and making the rest of the world dance to its beat. And a look at global streaming charts will show consistently vast figures for artists like Brazil’s Anitta whose “Envolver” is currently the worldwide no.1 single with streams in the hundreds of millions.
As the year starts to rev up, theartsdesk on Vinyl returns with over 7000 words on new music on plastic, a smörgåsbord of the kind you will find nowhere else. This month we also have a competition for the dance music lovers among you, a chance to win a £50 gift card for the new app Recycle Vinyl (online stock of 10,000 records + 25,000 in their warehouse + 500 more added every week).
Alejandra Ghersi – Arca – is one of the most influential musicians on the planet in the last decade. Even aside from working with huge names like Björk and Kanye West, her ultra-detailed, high drama, electronic abstractions have set the pace for a legion of artists from very underground to ultra-pop.
Some guitar sounds are instantly recognisable. Carlos Santana blazed a trail in the late 1960s, with incandescent licks that made him world famous. He has traded on that brand – as brand it inevitably is – for more than half a century.
Lil Nas X is good at being a pop star. Like, what could pop culture need more than a young, flamboyant, witty gay rapper from the deep south who can top the US country charts then just when it appeared he might not be able to live up to the success of “Old Town Road” lap dance Satan in the video for the Latin-tinged “Call me by Your Name” and storm to mega sales all over again?
The latest edition of theartsdesk on Vinyl combines the best new sounds on plastic with the vinyl reissues that are pressing buttons. Ranging from heavy rockin’ book-style boxsets to the funkiest summertime 7”s, all musical life is here. Dive in.
VINYL OF THE MONTH
This Is The Deep The Best Is Yet To Come (Part 1) (B3)
Having won recognition for his streetdance routines on American TV’s So You Think You Can Dance, choreographer Christopher Scott was asked to help bring Lin-Manuel Miranda’s pre-Hamilton stage hit to the big screen. In The Heights was shot entirely on location on the streets of Washington Heights, a largely Dominican neighbourhood in New York.