“When we graduated we were seeing lot of theatre as a literary form,” explains Candice Edmunds of the theatre company Vox Motus, “But we were really excited by it as a visual form and everything we make, from our earliest scratch pieces up to Flight, has really been an experimentation into how much we can substitute dialogue and the written word for theatrical visuals.”

Design/Play/Disrupt at the V&A covers a wide variety of games that are spearheading the gaming world at the moment. It takes a closer look at eight of the most innovative and different games that have changed the world of gaming in the last five years.

Civilisation is under threat from a bunch of religious rednecks, and it’s your job as the new Deputy Sheriff of fictional Hope County to right the wrongs of a year-long silent coup initiated by Eden’s Gate, a fanatical doomsday cult, intent on purging sinners and imposing their law on the land. There's a Brexit gag in there somewhere.

Suddenly Steven Spielberg movies are plopping off the production line like Ford Fiestas or Cadburys Creme Eggs. It seems like only seconds ago that we were greeting The BFG and the breast-beating earnestness of The Post, and now the director comes steaming back with this huge and hectic tribute to the gamer-world and his own long-lost youth.

Imagine that you come across a story by a journalist who, writing for the Daily Mail or The Sun, steals the identity of a real young man from a poor neighbourhood of south-east London. He had died of an overdose, aged 20, in 1984. Not knowing whether this kid’s immediate family still lived, the sleuth hi-jacks the name of an actual individual – just as, notoriously, undercover officers of the Metropolitan Police’s Special Demonstration Squad did when they infiltrated protest groups. 

For some of us Blur were an irritant during the 1990s rather than one of the decade’s premier bands. However, once Gorillaz arrived it was impossible to ignore Damon Albarn’s outrageous talent any longer. His golden touch ensured his cartoon group with artist Jamie Hewlett straddled not only multi-million-selling global success, but awed critical kudos. 2010’s The Fall album did not fare so well, but seemed to be a different kind of project, more experimental, cobbled together by Albarn on tour in the States, then fired out without extra polish.

Artist and curator Tyler Mallison has chosen the world’s most generic title for his current exhibition. It's called New Material, and the surprising thing one discovers is that the hackneyed "new" really can be quite fresh. Sculpture and painting comprise display units, work desks, gym equipment, packing tape and whitewash. Several films feature window dressing, cross-dressing and gallery furniture.

The Warcraft series of "massively multiplayer online role-playing games" (or MMORPG if you must) has apparently amassed over 100 million users since it all began with Warcraft: Orcs & Humans in 1994. Ergo, turning it into a 3D multiplex-buster is a no-brainer. Surely?

Galloping technological change, collapsing incomes and a climate of violence facilitated by anonymity are just a few of the challenges facing creative artists in today's digitally driven world. What can be done to put all this right? The man to ask is Francis Gurry, director general of the World Intellectual Property Organisation.

Once upon a time, techno was the future, and Orlando Voorn was right at the heart of building that future. The Dutchman was in early on the late-1980s wave of Detroit electronic production – in which small groups of black Americans surrounded by decaying industry drew the natural link between Kraftwerk and funk, filled themselves with equal quantities of utopian and dystopian visions, and set a blueprint that would irrevocably alter the sound of music worldwide.