Theartsdesk is a labour of love. Bloody-mindedly run as a co-operative of journalists from the beginning, our obsession with maintaining a daily-updated platform for good culture writing has caused a good few grey and lost hairs over the years. But it has also been rewarding – and looking back over the 10 years of Disc of the Day reviews has been a good chance to remind ourselves of that. 

The tears of a clown is a familiar enough metaphor – a cliché, perhaps – and as an image it adorns the sleeve of the latest album by Mike Rosenberg, better known as Passenger, the platinum-selling former Brighton busker. Scheduled originally for release last May, Songs for the Drunk and Broken Hearted is his twelfth solo album and it was partially rewritten in lockdown, the tears for a relationship that ended just before.

Frank Marshall might not be the biggest household name, but his footprint on Hollywood is unrivalled. He has produced hits ranging from Indiana Jones and Back to the Future to Jason Bourne and Jurassic World. He also takes occasional forays into directing, such as the madcap Arachnophobia and cannibalistic rugby tale Alive.

Singer/pianist/songwriter/entertainer Joe Stilgoe responded remarkably rapidly to the new circumstances of March 2020. Even before the first nationwide lockdown was declared, he had started doing a series of daily performances on YouTube: “Stilgoe In The Shed”.

Apparently a freaky, brilliant novelty in 1974, Sparks have proved eternally invincible: the synthpop duo template, glam and disco avatars, chasing the pop grail across the globe as their latest mode hit the local chart mark. Lightly worn resilience and diligent application underpin their endurance (Russell Mael told me 20 years ago that he felt a professional responsibility to remain a good-looking singer).

It’s 35 years since the original and best loved line up of X last released any new material: the less than special Ain’t Love Grand. Somewhat unexpectedly then, a new album, Alphabetland has appeared out of the ether and it’s certainly up there with the band’s spectacular, first four discs.

Glorious Joan is back! Eleven years after her first covers album, with that very cheeky artwork, comes Joan Wasser’s celebration of "songs I adore" – 10 tunes that she’s been working on ever since 2009.

What times. They cancelled Glastonbury. Festival season 2020 disappeared. Then certain potions and compounds associated with festivaling ran dry. Well, the latter exist, of course. There’s a fellow over the road who’s still selling talcum powder and stinking chemo-skunk from his porch.

Sufjan Stevens is an immensely creative musician – a multi-instrumentalist, songwriter and composer. His work ranges from sophisticated dreamy pop that has influenced many, not least Bon Iver to grandiose and sometimes disturbing soundscapes. He grew up with a kind and passionate step-father, Lowell Brams, who inspired in Sufjan a wide-ranging musical curiosity, which is reflected in the stylistic variety of his work.

Elvis Costello is arguably – perhaps unarguably – the most enduring and genuine talent to emerge from the mid-Seventies pub and punk scenes, and his two-hour set on Friday night demonstrated that he’s still a compelling performer, full of energy and passion. The voice isn’t quite what it was, off-pitch at times, though it retains its distinctive timbre and vibrato.