The Genius of Design: Designs for Living, BBC Two

Home is where the art is: if you want comfort don't buy a Marcel Breuer chair

Does form always have to follow function? Is ornamentation really such a heinous crime? Or is Modernism itself the enemy of the people? The second part of this excellent five-part series – fab archive footage, great interviews with designers young enough to no longer be beholden to the Modernist creed – focused on the founding of the Bauhaus and the Modernist aesthetic. And after juggling a lot of questions, it gently guided us towards more or less the same position as Tom Wolfe’s From Bauhaus to Our House, though in a far more respectful, design-conscious way: Modernism worked in theory but wasn’t so hot, nor so user-friendly, in practice. Furthermore, it was inevitable that it would be the consumer rather than the theoretician who would, in the end, hold sway.

theartsdesk in Chicago: Radical Invention in the Windy/Second City

From Matisse to Malkovich: the Second City caters for all cultural tastes

On my previous trip to the Second City in 2009, the much-awaited Art Institute of Chicago extension wasn’t quite ready for visitors, but is now about to celebrate its first birthday, and it’s a treat. The Modern Wing adds 35 per cent more space to the Institute, bringing it up to a nice round one million square feet and making it America’s second biggest art museum after the Metropolitan Museum of Art in New York. It was designed by Renzo Piano, whose new wing (another glass-and-steel box) will be unveiled at the Los Angeles County Museum of Art later this year; he’s clearly the go-to guy for art museums, having previously designed the Pompidou Centre in Paris. He’s also, by the way, the same man who is about spoil my beloved SE1 in London with his Shard monstrosity, but that’s for another day.

theartsdesk in Glasgow: Glasgow International Festival of Visual Art

The city's biennial visual arts fest flops with its radical Sixties vibe

During my two-day whistlestop tour of various galleries and arts venues across Glasgow, I’m afraid I didn’t spot one white bike. There are, apparently, 50 of them that punters are free to use for the two-week duration of the city’s second biennial International Festival of Visual Art. It’s a scheme that pays homage to the original Witte Fietsenplan (White Bike Plan) by radical Sixties Dutch movement Provos. Set up as a statement against consumerism, pollution and congestion, the action was predictably short-lived: most of the bikes were either stolen or trashed.

Anthony Caro: Upright Sculptures, Annely Juda

The venerated sculptor enjoys the interplay between the figurative and the abstract

Anthony Caro makes works with the human figure in mind. The venerated sculptor, who, at 86, remains seemingly unstoppable, came to prominence in the early Sixties with his brightly coloured abstract steel sculptures. These, such as his seminal 1962 work, Early One Morning – an open-form sculpture of welded steel plates and delicately balancing rods painted in bright red – chimed with an era of optimism and confidence. Any figurative references were entirely incidental.

The Art Nouveau Dacha, Russia's wooden weekend houses

An ancient copy of a Russian house-building manual uncovers an era

"Russia has a remarkable and ancient tradition of wooden buildings that dates back to the tenth century, with the remains of Medieval fortresses demonstrating the sophistication of the Nordic wooden construction methods employed across Russia and Scandinavia at the time. In the 18th century Peter the Great’s policy of broader cultural engagement between Russia and the rest of Europe stimulated cultural influence both to and from Russia, finding its way into the rich urban and architectural language of the time.

Design Gallery: The Art Nouveau Dacha

Reproductions from Vladimir Story's historic dacha designs

Vladimir Story's 1917 brochure for patterns for building Russia's traditional wooden country houses - called dachas - has been rescued from oblivion by the chance discovery of an ancient copy of it in Georgia. Now reprinted, The Art Nouveau Dacha: designs by Vladimir Story reveals with marvellous detail a unique house-building tradition full of details and requirements that are as modern nearly a century later. Read the story of this book in theartsdesk's Books/Art section, and enjoy a selection of reproductions from everything from a grand "English-style" mansion to a whimsical little children's pergola perched on a tree stump.

theartsdesk in Abu Dhabi: Doing Things by the Book

A boom in Arab literacy is much needed - cue prizes and poetry talent shows

One of the most serious crises facing the Arabic-speaking world in recent years - but which has received precious little comment both in the Middle East and internationally - has been the serious decline in literacy and the art of reading. A United Nations report published in 2008 showed that the average Arab reads a mere four pages of literature a year. Compare that to Americans, who devour a median 11 books annually, and the British who clock in at eight.

Requiem for Detroit?, BBC Two

From automobile powerhouse to wholesale post-industrial collapse

The only time I've ever been to Detroit was in 2004, in pursuit of assorted rock stars on the Vote for Change tour. Reader, it was weird. The atmosphere in the deserted streets was deathly, as if an invading army had swarmed into town, committed hideous atrocities and then moved on. The decaying architecture from America's golden industrial age looked unsettlingly like the set for The Omega Man, in which Charlton Heston fought a solitary war against an army of nocturnal psychopaths.

The Lure of Las Vegas, BBC Two

Alan Yentob fails to explain the attractions of Sin City

“The Mob made Vegas,” says its mayor since 1999, Oscar B Goodman. And he should know, having defended plenty of mobsters in his time when - he and I are equally quick to point out - he was a defence attorney and didn’t know what they were really up to. What a trick presenter Alan Yentob missed here; he could have simply chatted to this wrinkly, wily New Yorker transplanted to the Nevada desert and The Lure of Las Vegas (shown as part of BBC Two’s Vegas night), produced and directed by Janet Lee, would have been a whole lot more entertaining.