Various Artists: Chicago Hit Factory – The Vee-Jay Story 1953-1966

Michael Bloomfield: From his Head to his Heart to his Hands

“Long may it stay a mystery,” said Keith Richards, the first talking head seen in this opening shot of a two-part excursion through blues music. Self-evidently, two hours devoted to this oft-explored subject wasn’t going to leave too many mysteries. Woke Up This Morning did tread new ground though – at least for British television – by recalibrating perceptions of authenticity and motivation.

It's only the truly great albums that usher you into a sound-world that is entirely sui generis. And so it is with this second chapter of jazz sax player and composer Matana Roberts's Coin Coin project, a vast musical work-in-progress exploring themes of history, memory and ancestry. 

Gregory Porter's Blue Note debut provides one of the biggest sugar rushes of auditory pleasure you'll hear this year. Grounded in jazz but heavily seasoned with the blues, gospel and soul, it's a superbly paced album, ranging from the poetic tableaux of ballad “When Love Was King” to the unstoppable, hand clapping moto perpetuo of the title track.

R Stevie Moore: Personal Appeal

Christened the Blues Brothers, Elwood and Jake’s first public appearance was as the warm-up act Lorne Michaels used to put the studio audience in a receptive mood before the show started. The audience became so warmed up that in April 1978, Michaels put the Blues Brothers on the actual broadcast, backed up by the SNL band. A contract with Atlantic Records, the label of several of the artists the Brothers emulated, materialised in short order.

The great jazz singers are also the great storytellers. Last night, listening to Cassandra Wilson sing “Wichita Lineman”, that single, devastating couplet - "And I need you more than want you/And I want you for all time" - conjured up an individual's entire life story. Seamlessly traversing genres in fresh and creative ways, performing a set that juxtaposed Cesária Évora's “Angola” with a completely impromptu “A Foggy Day”, the Jackson, Mississippi vocalist, musician, songwriter and producer confirmed her own compelling storytelling gift.

Mavis Staples keeps on comin': with a contralto voice soaked in gospel and soul, she delivers consistently heart-warming music.

This is her second collaboration with Wilco’s Jeff Tweedy, a rocker with enough knowledge and taste to create a contemporary ambience in which Mavis can deliver classics such Washington Phillips’s spine-chilling religious classic “What are They Doing in Heaven Today” alongside Funkadelic’s secular lament “Can You Get to That”.

Lucinda Williams’s current tour might be billed as “intimate”, but anyone who has seen her perform before will know that intimacy tends to come with the ticket. It is true, however, that this pared-down format, in which she performs drummerless and accompanied – splendidly – by Doug Pettibone and David Sutton on guitars, pedal steel, bass and harmonies, brings the audience even closer to her extraordinary voice and unflinching words. In Edinburgh last night, the effect wasn’t “intimate” so much as visceral: at times it felt like placing a microscope over an open wound.