Berlin Philharmonic Orchestra, Rattle, Royal Albert Hall

Berlin style in spadeloads, but Rattle's fuss sometimes defuses the electric charge

Call me a paradoxically wary old Mahler nut, but I reckon that given 24 months of anniversary overkill, it might keep things fresh to catch each of the symphonies live no more than once a year. So, having heard an Everest of a First Symphony from Abbado in Lucerne last August, I thought Rattle's might be the team likeliest to do this far-from-beginner's symphony similar justice. Did its Proms Mahler One compare well with the Swiss festival love-in?

Sarah Willis, First Lady of the French Horn

The Berlin Phil's only woman on brass goes solo

No woman has ever achieved a higher profile on the French horn than Sarah Willis. Why? It's not as if she is a renowned soloist. But she is the first and only woman to join the brass section of the world's most celebrated and widely followed orchestra. It will be no surprise if this Saturday the BBC cameras as usual pick her out from row upon row of Teutonic males in the second of the Berlin Philharmonic’s two Prom 2010 appearances. But in addition to her Berliner duties, this year Willis has stepped out from under the orchestra’s giant shadow for the first time.

Now Newsnight is at it...

The BBC's cultural conscience has been pricked, it would seem, by the World Cup now reaching its endgame in South Africa. Either that or departments don't talk to one another. Singing for Life, Sunday night's documentary on BBC Four about the young singers who aspire to trade the township choir for the opera stage, also focused on Fikile Mvinjelwa, a Cape Town baritone who made it to the Met. Now Newsnight is reporting on another singer who has been on a comparable journey to stardom.

All Das Jazz: the Berlin Phil swing with Wynton Marsalis

The jazzer reaches out to Simon Rattle and the world's finest orchestra

"It was only on Monday afternoon that the final scores of three of the movements were put into my hands," says Sir Simon Rattle, chuckling at the memory and casting a mock glance of disapproval at the composer and trumpeter Wynton Marsalis who is sitting next to him looking rather sheepish. "It makes us realise that composers are human beings just like we are," the conductor adds. "I'm just praying I get all my tempos right by tonight."

The Berlin Philharmonic European Concert 2010, Sheldonian Theatre, Oxford

Thunderous optimism in the annual Europe concert by the crack German players

"Madness! Madness! Everywhere madness!" The unsung words of cobbler-philosopher Hans Sachs in the third-act prelude to Wagner's Die Meistersinger might seem like an odd opening manifesto for the Berlin Philharmonic Orchestra's annual May Day ceremonial concert this morning, hosted this year by Oxford in the gorgeous venue where the Berliners had last played under Karajan a very long time ago. But there was method in it. Whether or not Oxford's traditional May Day eve revels last night had any drunken brawl as threatening as the one which set Sachs meditating on human folly there was certainly a bacchanalian atmosphere outside the Sheldonian - and even more to be found inside.

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