Turner Prize 2013: Laure Prouvost's work is visually seductive, funny and clever
This year, it was two women who made the most enduring impression
According to one broadsheet, Laure Prouvost was a “rank outsider” and the money was on comic doodler David Shrigley and the elusive Tino Seghal, he of those ghastly, utterly patronising performances designed to jolt the guileless gallery-goer from his or her imagined complacence.
Her narratives are ambiguous, layered, unreliable, fragmented