It's a season of retrospection for Bruce Springsteen. New light has been thrown on his pivotal 1978 album Darkness on the Edge of Town with the release of The Promise, a double CD of out-takes and unreleased songs, alongside an expanded box set of CDs and DVDs telling the Darkness story in sound and vision. A version of Thom Zimny's documentary about the making of the album, included in the boxed release, was shown in Imagine on BBC One.

And so we reached the climax of Series 7, long awaited by cognoscenti but greeted with mounting apathy by non-believers. Though some had held out hopes for boy - infant? - band One Direction, it was live poll favourite Matt Cardle who ultimately romped home to victory.

It's only after hanging up the Skype connection to Richie Hawtin that I realise how effective a branding exercise he has made the interview. In conversation the English-born, Canadian-raised Berlin resident is charming and smart, but listening back I realise that he has subtly repeated the names of his projects and products over and over, with the slickness of a high-flying salesman. But then you don't sustain a 20-year career making relentlessly odd music - yet still be regularly ranked in the very top flight of global club DJs alongside perma-tanned monstrosities more likely to be seen schmoozing Madonna or the Black Eyed Peas than in an underground rave bunker - without knowing a few tricks of the trade.

Actors and musicians are always trying to swap places, often with hilarious consequences (as long as you didn't pay for a ticket). Madonna in Body of Evidence? Keanu Reeves in his inexcusable band Dogstar? I think not. But Tim Robbins is a thoughtful, conscientious kinda guy, and he can even claim a bit of a folk-singing heritage via his father, Gilbert. And he put together the impressive soundtrack for his movie Dead Man Walking. And he played a right-wing folk singer in the political satire Bob Roberts.

This month's most interesting new music CDs according to theartsdesk music team includes a dark take on sex and consumerism by The-Dream, which is CD of the Month, "morally ambiguous" South London gangsta rap from Giggs, disco pop from Sia, Scissor Sisters and Robyn, "indietronica" from Grasscut and Tobacco, heritage rock from Tom Petty, immaculate jazz from David Weiss and a compilation of old Colombian dance music. Stinker of the Month is Eminem who is cordially advised to take up religion, get fat or do charity work. Reviewers this month are Joe Muggs, Thomas H Green, Bruce Dessau, Howard Male, Adam Sweeting, Russ Coffey, Marcus O'Dair and Peter Culshaw.

You could tell Glastonbury at 40 was in trouble as early as the opening three minutes, when it cut from a well-heeled, ageing hippie survivor mumbling about “earth magic” to footage of Robbie Williams in 1998 bashing his way through the entirety of "Angels". The programme stumbled into the vast gulf between those two concepts as uncertainly as a reveller stumbles into the wrong tent at four in the morning, and never once looked like finding its way back home.