They say cinema is dying (you never know, they may be wrong), but you can’t help noticing the stampede of movie stars towards TV and streaming. Many of 2024’s most memorable shows had a big-screen name attached, even if it was impossible to be entirely certain that it really was Colin Farrell inside all those prosthetics as he romped his way through the gripping second season of The Penguin (Sky Atlantic).

Vive l’entente cordiale! “Despite Brexit” (as the BBC likes to say), Apple TV+ has successfully bridged the Channel to create this lurid Anglo-French thriller, in which Euro-skulduggery rubs shoulders with bribery, corruption and high treason.

Netflix’s ReMastered series is one of the streaming channel’s undersung gems.

Roland Orzabal, co-founder and lead guitarist of Tears for Fears, laughs to himself often during this documentary — the latest in the BBC’s often-excellent, always-forensic Classic Albums series. “I agree, I agree, it sounds great,” says Orzabal. He’s listening to “Shout,” the band’s 1984 Billboard No. 1 hit.

As symbolic moments go, the arrival of Martin Scorsese's new gangster epic The Irishman on Netflix took some beating. It exemplified the adage that "TV is the new cinema", and at the same time perhaps suggested a new and less digestible adage, something like "TV and cinema are now both parts of an ever-expanding entertainment continuum". Catchy, eh?

This charming BBC Two hagiography – which may be a contradiction in terms – opened on a montage of praise, with just a hint of irony for the hugely successful actor Hugh Grant. He was born in Hammersmith Hospital, although neither he nor his father can quite remember. He felt (he told us) that it was a kind of family tradition as about 800 of his own children have been born there since.

Young people will laugh incredulously when you tell them that once upon a time, there was only one television channel in Britain. Now we've lost count, and as even the Queen pointed out in her Christmas broadcast, many of her subjects would now be watching her (no doubt hoping for a walk-on by Meghan Markle) on phones or iPads.

Forty years ago Whispering Bob Harris made a documentary about Queen. He eavesdropped on them as they recorded the album News of the World and then followed them around America on tour. The film was never broadcast but the footage was exhumed for this anniversary and stapled together in Queen: Rock the World (BBC Four), the latest in the BBC's prancing cavalcade of recent documentaries about the band (see sidebar).

As Sky’s Head of Drama Anne Mensah puts it, her ambition is to “stay local but look global”. This might serve as a motto for television in its entirety, as technology swallows the planet and TV is increasingly shaped by coalitions of international broadcasters and production companies. Internet streaming services have abolished national boundaries far more effectively than the European Commission ever could.

Presumably it seemed like a good idea at the time.