Ridley Scott’s original Alien movie from 1979 was an all-time sci-fi/horror classic, and even an endless stream of sequels and spin-offs – Aliens, Alien 3, Alien Resurrection, Alien vs Predator, Prometheus, Alien: Romulus et al – hasn’t diluted the electrifying impact of the original.

Opera can take many forms and fulfil many purposes: this chamber opera by Zakiya Leeming and Sam Redway is about vaccination. Based on history, it has a story to tell and lessons to teach.

The slightly overwrought subtitle, "How Digital Language Created and Connects Our World and Shapes Our Future", gives a good indication how computer enthusiast Sam Arbesman treats his subject. Software, written in a variety of programming languages whose elements we refer to as code, is ubiquitous.

Henry Gee’s previous book, A Brief History of Life on Earth, made an interestingly downbeat read for a title that won the UK’s science book prize. He emphasised that a constant feature of that history is extinction. Disappearing is simply what species do. A few endure for an exceptionally long time (hello, horseshoe crabs), but all suffer the same fate in the end. Some at least go down as ancestors of succeeding species. Many more just vanish. Evolution permits gradual development of more complex forms.

An opening sequence of a drone flying over a busy street in Baghdad, followed by a huge explosion that leaves many casualties and a gaping hole where a row of buildings used to be, suggests that Prime Target is going to be another special forces, war-on-terror type of drama.

Billie Holiday sings again, Olivia Laing tends to her garden, and Biran Klaas takes a chance: our reviewers discuss their favourite reads of 2024.

Marie Curie excepted, movies about female scientists remain scarce, not just because STEM careers and Nobel Prizes still favour men. Now comes the British-made Joy, which explores women’s contributions to a decades-long quest to cure infertility.

It’s not often that a classical music concert offers to take you beyond the stratosphere and back, but this intriguing evening from the City of London Sinfonia did precisely that with considerable élan. All too frequently there’s a considerable gap between a fantastic idea and its satisfying execution, yet this musical trip from the Antarctic to the Arctic via different cloud formations proved to be as stimulating as it was passionately engaging.

It’s over 50 years since men last landed on our orbiting space-neighbour, but director Greg Berlanti's Fly Me to the Moon transports us back to the feverish days in 1969 when Apollo 11 was about to tackle the feat for the first time. The film’s promo material rather misleadingly bills it as “a sparkling rom-com”, but it has a few other strings to its bow.