In the Middle profiles 10 football officials who referee and run the line of lower-league games in south-west London and north-east Surrey. Pondering what drives these apparently sane individuals to do such an onerous job, director-producer Greg Cruttwell's documentary is a vibrant study in diversity and concomitant prejudice that benefits from his light touch.

A black box with a red blinking light is being stashed in a cabinet under the seating of the Olympic stadium in Munich. Then a hoodie-ed man is seen in silhouette, the stadium in the background. We are about to be plunged into the darker corners of the prosperous Bavarian city where, 50 years earlier, as the footage in the opening credits recalls, the infamous massacre of 11 members of the Israeli Olympic team by PLO gunmen took place.

Now this is exactly what I want for Christmas: a beloved fixture of Saturday afternoon TV putting a lounge jazz spin on some festive classics, backed by an 18-piece swing band.

If Shakespeare had lived in post-war Britain, he surely would have dramatised the careers of the three towering contemporaneous Scottish football managers whose visions of how football should be played and its importance to ordinary people left a greater impact on the nation’s selfhood than any 20th century political leader, excepting Churchill.

Former Liverpool manager Bill Shankly famously commented that football is far more serious than a matter of life and death. This couldn’t quite be said of Harry Redknapp’s renewed adventures of footballers reunited (ITV), yet behind its jokey facade of a bunch of Nineties-era England veterans drinking their way across Europe, Harry’s Heroes is strangely poignant and delivers some painful emotional truths.

Julian Fellowes admits he knows little about football and has always hated sport in general, but this hasn’t prevented him from writing a TV series (for Netflix) about football’s 19th century origins.

There's something unsatisfying about the fact that Asif Kapadia's new documentary on the controversial 1980s sporting legend Diego Maradona has a two-word title. It would have created a neat synchronicity with his previous two films (Amy and Senna), but we soon learn why this is the case.

Set in the months and years after the Libyan revolution, Freedom Fields follows several women aiming to compete in international football. The documentary finds the players excitedly preparing for their first overseas tournament.

Director Asif Kapadia's documentary on the controversial 1980s sporting legend Diego Maradona premiered at Cannes this week, and there's something unsatisfying about the fact it doesn't have a one-word title. It would have created a neat synchronicity with his previous two films (Amy and Senna), but we soon learn why this is the case.

Imagine Cristiano Ronaldo, virtuosity intact, as buffed, blinged, and coiffed as ever, but with the sophistication and sexual maturity of an average seven-year-old, and you have a fair idea of Diamantino’s protagonist.